That'd be awesome if you could.
I moved over to itch about 6 months ago. I've used Traktor for years (even when it was Final Scratch with that horrible Firewire interface), but I had to see what the fuss was about with Itch, and I'm a convert.
The sum of its parts is greater than the whole. Between the simplicity, the controllers (i.e. I use the V7 units which are TOP quality by Numark, surprisingly enough), the beat gridding, the playlist management, etc. are just top notch.
I care less about effects - even though I play techno, house, tech house, and the like.
Effects are for interesting transitions (sometimes) and occasional spice within a track - and although Traktor's effects are top of the heap, it isn't one of those things that I rely on to be a good DJ. (or try to be a good DJ anyway).
I play good tracks at the right time and let those do the work - and I think this supports the goals of the producers of the tracks that slaved in their studios to make the perfect arrangement and sound design for me to play.
It is somewhat of a great conceit that it is our job as DJs to deconstruct a track to fit OUR perception of what it should sound like. If tracks aren't cutting it and one needs to apply a bunch of stuff and loops and whatnot, then pick better tracks IMO.
OR, buy the S4 and loop away with one's own productions and whatnot. But I'm focused on being a good DJ who plays good tracks and reads the room and responds in that way.
I'm all for a little spice, but as I've written above, the effects are cool, but they aren't the reason why I pick a piece of DJ software.
The MIDI thing is a true benefit to traktor - especially for controllerists like Ean Golden. That is a branch of DJing that deserves a tool like Traktor. There is no doubt about that at all.
But for me, I like things that work, are simple, so I can get on with the job. Not to mention I got tired of showing up to gigs and rewiring everything while the DJ before me was playing and have that mess of wires. It was so bad, that I bought my own little portable mixer (DJR-400 rotary) and hooked everything through that and then used the master out (one set of left and right outputs) to whatever house DJ mixer there was to minimize the impact and easier set up. This was when I was using the NI soundcard and Maschine as the controller.
But after awhile that got sterile to me because I like to play tracks and I come from the vinyl world, so I gave the V7 and shot and was amazed at how easy and fluid it was to use with the software providing everything I needed in a much more elegant workflow than TSP.
Anyway, I can go on and on... but I'm not trying to convince anyone to change their preferences, I'm just explaining my journey. I am an unabashed supporter of Serato at this point.
I love their ethos of giving DJs what they need and a workflow to match - it just shows when using the software that they've put the thought into meeting the needs of working DJs rather than trying to retrofit ideas into something like Traktor which was, first and foremost, a laptop based software tool that did not have vinyl and the workflow of DJ's in mind AT FIRST.
Obviously that has changed now. But the genes/DNA of TSP shows even to this day in the way it has evolved IMO.
But apples and oranges, its all fruit. So, use what is best for you. I personally am very happy about 2.0. Can't wait to see how they've refined the software to be even better than it currently is.
and .02,
rob.
With the V7 I can either
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