You'll never "lock in" with Technics. You have to contend with wow & flutter - so you'll always be giving it the odd nudge or brush.Originally Posted by escapemcp
Like mostapha said - try not to worry too much about it. It'll come with practice.
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Practise?? 18 years' worth not enough then?? Technics can lock in, yeah, maybe the tiniest play on the spindle required to keep it locked (yeah, ok, so it's not locked, but it's damn close), but with 0.1% on accuracy, you are correcting every 16 or 32 beats (which is FAR more of an adjustment than required on technics). Maybe I am getting too finicky, but had a tune the other night, I needed 0.95%, but could only get 0.9 or 1.0%. Was annoying as hell to mix, and I longed for a more accurate pitch.
If I should 'just get used to it' then why are DJTT (& Ean) among others, raving about 14 bit midi on pitch faders?? - surely the 7 bit should do just fine then, and that people should just 'get used to it'?
My point is that if I am going to drop some money on equipment, this sort of half arsed implementation is what really pisses me off!... the manufacturers add just enough for it to look good on- and to shift off the sales floor, only for you to take it home and find it's shit, when you use it 'properly', rather than playing in a shop.
FYI I CAN happily mix with 0.1% accuracy on the pitch, and likewise I CAN happily mix on some soundlab belt drives, but I'd PREFER technics, and i'd PREFER more accuracy on CDJs.
Yes, I KNOW I can nudge it into time... (as that IS what I do to correct anyways) but it's just too coarse for when your tune needs that 0.05% and you're mixing some long-ass techno intro while sucking on a balloon (now this is no ordinary balloon parents... ) Just sayin that I don't want to pay money for crap resolution... have been there, and it's shit...
Oh, and thx for everyone who's bashing me here, but let's keep it light shall we folks, as that's what this excellent forum is all about.
Last edited by escapemcp; 02-24-2012 at 06:22 PM.
PC/Mhac, Traktor 2, Citronic MP-X10, 2 x Kam KCD450, Behringer BCD3000, Echo Audio Layla 3G, Numark EM-460 w/Kaoss Pad, Shure C606, Carlsbro Tytan PA, Turbosound TXD121 12" Tops, Reloop RHP-20
http://soundcloud.com/escapemcp
Numark's old Axis 8s were about the same res as all the top pioneer decks, even though they only showed 0.1 increments. You could tell by the way it changed around the zero point with + and -. I also had the correct pitch range from the firmware engineer who stated I think that it was like 0.03 or something at one of the ranges between 10 or 12% and the lowest one. So it didn't just pop up to .05 after you switched above the lowest range. Anyone find out about the pitch res on the NDX-900? By the way, 10-bit res is the minimum you want. The fader length should be about 60mm for that to get proper change at any motion. Shorter and you're wasting res. Longer, and small motions won't register... like on the Xponent. Not a terrible thing, but you just have to watch the screen. 10-bit will give you at least .05 at the 8, 10, 12, and 16% ranges. It will actually be better in software at lower ranges than 16% than on the Pioneers. 14-bit is obviously the best. Buying new stuff nowadays, you should accept no substitutes. Don't let companies rip you off. Make them source quality 14-bit pots for their 100mm faders. And like 10-bit, any shorter than 100mm will waste res. A little longer might not hurt, but 100mm 14-bit pots is a sweetspot.
Last edited by Reticuli; 02-27-2017 at 04:58 AM.
Blah. The NDX only supports MP3 over USB drives. That's a deal breaker. Like the digital out. Need at least wav support, and flac would be even better.
Your math is right, but misleading.
Max drift speed: .025 % * 120 BPM = 0.06 BPM -> 33 minutes, 20 seconds to drift 1 beat, so that's correct.
But, it seems like drift becomes audible at about 1/64th to 1/32 beat if not earlier, so that's actually more like 15 to 30 seconds to be audible in the worst case scenario.
Still…a tiny nudge on a platter or tiny tweak of a pitch fader a few times a minute is nothing.
Your definition of average is incorrect. And I was sure you knew all of this. Just kinda felt like being pedantic while stuck doing things I didn't want to do to keep myself awake.
No offense intended.
And that's assuming the tracks are perfect in timing to begin with. Add actual timing variations within tracks, and a 0.05 pitch resolution in internal USB mode or CD playback or on a 10-bit fader in the most used pitch ranges is still functionally inferior to 0.01 pitch resolution that we seem to get with 14-bit pitch faders in the usual ranges... assuming you are careful in your original blend. 10-bit is the minimum you want in a pitch fader for mixing. 7/8-bit is garbage, unless you plan on mixing only tracks that are nearly the same BPM and you use, say, 2-4% pitch range. And if you are constraining yourself to that, then you’re probably someone who has no problem just using Live and autosyncing after analyzing all your tracks and setting warp markers, or something. I didn’t get into DJing to have a damn computer mix for me, though, after I do all the grunt prep work. 14-bit is obviously better and with how cheap these pots have now become, there's really no reason for manufacturers to be duping you out them if you're buying a new model. And avoid any manufacturer who can't even post such specs such as bit of the pitch fader or pitch resolution while in internal USB or CD playback modes (they are not always the same). Demand 100mm 14-bit pitch faders. If you’re buying used or the unit is cheap, yes, you can get away with 60mm 10-bit faders. Realize on a Versadeck or an Xponent, very small fader changes will do nothing because they are 10-bit 100mm faders.
Last edited by Reticuli; 09-11-2020 at 04:01 PM.
Thanks guys for that, was getting slated at the start of this thread... yeah, I CAN mix with shitty pitch controls and nudge, but if I'm spending money on my own kit, I don't wanna have to make do. Thanks for doing the 31 secs math, as I couldn't be arsed to work it out
PC/Mhac, Traktor 2, Citronic MP-X10, 2 x Kam KCD450, Behringer BCD3000, Echo Audio Layla 3G, Numark EM-460 w/Kaoss Pad, Shure C606, Carlsbro Tytan PA, Turbosound TXD121 12" Tops, Reloop RHP-20
http://soundcloud.com/escapemcp
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