Originally Posted by
Zac Kyoti
Yeah, you're kinda both right. I wouldn't think of it that an audio chain is only degrading things away along the route though. It was only mentioned briefly, but coloring of audio is HUGE with regards to how we subjectively think a piece of equipment sounds. Manufacturers build their names on the way their equipment colors the sound. So there are a couple angles to consider. As mentioned, "garbage in, garbage out" - shitty files and/or a bad piece of gear will be a weak link. When it comes to gear, the elements that make it sound bad or good have everything to do with the quality of circuitry, AD/DA converters, connectors, filter and eq curves, whether its analog or digital, etc. Some people might prefer a certain sound, but it's extremely subjective. Cards like the Audio X DJ series (and quality cards in general) are designed to reproduce the source fairly accurately, but their frequency response isn't necessarily flat. AX DJ's are designed to sound punchy and enhance frequencies that sound good to a dj. My AK1 uses the same converters, but does not sound like an Audio 8.
Don't forget about summing, where it happens in the chain, and by what equipment. This is where all of your channels are mixed together before hitting the master. Summing intricacies can have a major effect on how people perceive the sound. This is another major reason people might love a certain analog mixer. Not just the sound on a solo channel, but the way things sound when mixed together; the subtle distortions, perceived space between sounds, etc. Some producers swear by expensive outboard summing boxes, rather than mixing entirely within the computer - there's a growing market for those kinds of units.
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