I disagree, no resident DJ or opener is going to replace seeing the producer you are paying to see play their own tracks. It's a lot more about seeing the artist and the energy they create just by being there on stage, and I usually see more energy from artists when they are DJing and working a crowd.
As for a live stuff goes The prodigy and Lcd sound system but this is prob the best for live performance http://www.youtube.com/watch?v=Lv1DU...eature=related
Cue fader fox @ 1.33![]()
I've actually noticed this myself personally for the first time recently, as I went back to toying with my old over the top "Live" setup instead of standard DJing while my DB4 is away. I've found that I really have to focus more on my gear and what I'm doing rather than the music itself, and the result is a very static, unemotional performance.
Last edited by DigitalDevil; 01-02-2012 at 10:22 AM.
saw a guy here locally using a BCR2000 and ableton doing disco/house in looped fashion...
cool in theory, but looks like WAY too much work, lots of "email checking" screen staring, and the tracks built on the fly will never approach the complexity and polish of a properly produced track with all the fx and builds and breakdowns built up...
also a lot of it was pretty rough sounding, clipping, etc. id prefer to hear an artist playing their own tracks/remixes/edits and just enjoy a dj set.
making things complicated just for the sake of complexity is musical masturbation.
Kontrol S4 | Novation Remote 25SL Mk.I | Macbook Pro | Shure SRH750DJ
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You could take a look at Paul Kalkbrenner, AFAIK he also does everything with Ableton.
Also check his album named Berlin Calling, it's awesome!
Not just Paul but his Brother Fritz Kalkbrenner performs also on Ableton Live and theire performances were always very intense. I think it depends on the gerne you are playing.
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