IndeedRemember going out in the early/mid 90's to the nights in Bristol as the sound was developing, plus the raves of course.
Anyone remember the Jungle Tekno compilations?
IndeedRemember going out in the early/mid 90's to the nights in Bristol as the sound was developing, plus the raves of course.
Anyone remember the Jungle Tekno compilations?
Not exactly. "Jungle Tekno" was just used as a name for a compilation series by Jumpin' & Pumpin'.
It was a terrible compilation series too, I might add. The vinyl copies were useless as too many tracks were pressed on each side, and the CDs were rubbish with tracks pitched up and/or edited.
Sound quality was awful.
Anyway, there was a brief period of time during the transition from hardcore to jungle where different terms were used, such as darkness and happiness, but "jungle tekno" was never really a common term. Even "ambient jungle" and "intelligent jungle" were used to describe early Bukem, Studio Pressure (aka Photek,) DJ Crystl, 4 Hero's "Parallel Universe," etc., but that didn't last long.
Edit:
Yep. Hated them too, for the reasons mentioned above.
Still, I owned them all because they were easy to find at Tower.
Last edited by Glitchwerks; 12-05-2014 at 07:21 AM.
Tempo is instrumental in defining a genre. Nobody would say they're playing 90 bpm house. There is no such thing as 140 jungle. It would be breaks or dubstep. At this point, jungle/drum and bass is so varied that a lot of people are just calling it "170" now. I have entire mixes without an Amen or a 2 step beat, but I still consider myself a dnb dj.
Yeah, definitely, they were terrible pressings, not even full length tracks, despite being 'DJ Friendly'!. I've only really known Jungle and obviously what spawned off that at Drum and Bass, do remember a couple of MC's spouting Jungle Tekno a couple of times, but never really liked the term personally.
Tempo plays a part granted, but the production and sound of it is more important IMHO. We'll probably have to agree to disagree, but there are definitely genuine Jungle tracks at around the 140bpm mark.
On a wider point to the forum - I don't understand the fixation with BPM's, it's as if, you must be an 'EDM' DJ if you play 128, or you're a Deep House DJ at 120-125, or you're a Dubstep DJ if it's bang on 140.
Even if the tracks are made to a specific BPM, does anyone on this forum seriously pay any great attention to the exact BPM when they are playing out, as long as its in the approx. region of the orig BPM (+-3 or 4% for e.g.)? Personally I'm all for no key lock and the ebb and flow of a set, including BPMs - maybe I, despite moving to digital, still have my turntables hat on.
Played another set at a Massive rave here in ATL in Saturday.
Played for 3 1/2 hours, all jungle. Moving between 130 and 140. Then up to 160 DnB
We had that room PACKED OUT!! This track was the favorite of the night, an old one but still good.
Some would call this "Bass Breaks". I just group it all in the genre "Jungle"
Last edited by 031999; 12-09-2014 at 08:59 AM.
I do consider Drum and bass, breaks, 140, 160, footwork, Juke to be in the category of Jungle because they all make use of "non straightened drum patterns". I play all those sub genres, so its easier just to say Jungle.
Aquasky is awesome, Ragga Twins are awesome. Plain and simple.
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