I think you're half right. I think it is easier for someone to train as a Mobile DJ and transition into the Club role than the reverse. In most cases, the Mobile DJ gets to know the audience....but the audience gets to know the Club DJ. That shift in focus and attention for both the DJ and the audience is important.
BUT (<-- big but) I will leave judgments about "better" to someone else.
I can understand maybe 1 in 4 "Club DJs" when they get on the mic. So, better mic technique can be better even for Club DJs.
Mobile DJs have to be multi-taskers who have to pay attention to a LOT more than just the music. That means being VERY focused on things that are happening OUTSIDE the booth. Being able to focus (almost) exclusively on the music is a real joy when I sit in at a Club. BUT...my workflow has been built around me needing time to focus outside the booth - so my overall mixing style is "simple" compared to most club DJs, but I am working on adding some new to me elements to my club sets.
Probably the hardest part for me taking on Club gigs is that I do not have a "preferred musical style." Offered a night to put on "my" show....I have no idea where I would even begin! Well, that's not entirely true...but I certainly do not have my preferred sub-sub-sub-genre of any kind of music.
The deep dive into the music needed for a Club DJ is HARD for me to do. I am way too easily distracted by other links on youtube as I start searching and playing with music. My music collection is seven decades wide, but only barely deeper than "Greatest Hits" albums. The ability to really geek out on a narrow slice of music presents me with the Tyrany of Choice...in a HUGE way.
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