2. The CDJ converts D->A, then the mixer immediately converts A->D. That means more places for distortion, jitter, artifacts or phase shifting from the anti-aliasing filter, and line noise on the analog signal…which all probably adds up to fuck all. But still…the signal degradation is there.
It's also one more place to clip the signal that's partially mitigated by using the digital connection, which does matter because of the loudness wars. If the signal hits digital zero but doesn't actually clip, using the analog cables will have the mixer sampling a signal that was distorted (from intersample modulation distortion) and using the digital cables would possibly preserve the just-barely-not-distorted signal a little farther so the DJ can either screw it up or not based on how hot he runs his master.
That's not entirely correct. There are things that can be wrong with a cable that would fuck up a digital signal but not an analog one, mostly because the signal is such higher frequency. It has to block different kinds of RF and electrical interference…at least, that's what they told us at GC, and it seemed to make sense with my limited knowledge of physics.
It might be worth trying different cables.
If that seems to make a difference, don't buy Monster. Digital cables are just as cheap as normal ones, they just take a slightly different kind of shielding. At $1/each, I'd probably buy them just for peace of mind.
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