Use BPM counter or beatmatch by ear? - Page 2
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  1. #11

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    Let's put it this way, when your CDJs go down, and you have to resort to playing off of the crate of vinyl with your set on it, you're going to have to tempo match by ear. So if the thought of getting stranded with nothing but a box of self-pressed records scares you, you should learn to not rely on a basic piece of technology that's been universal since about 2003.

  2. #12

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    Turntables are becoming quite uncommon to see in club booths. And I its even rarer to find DJs bringing crates of records to their gigs.
    Reloop TM4 : Audio6 DJ : Kontrol X1 : Traktor Pro Scratch 2 : Ultrasone DJ1 Pros : Ableton 9 : Launchpad Mini :

  3. #13
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    for sheer respect of the scene and the craft you should learn to beat match by ear, but forget weeks, it will take months to learn!!! yes all cdjs have bpm readouts, but they cant be 100% trusted. and yes if uve beat gridded ur tracks in traktor that will be accurate as fuck with the phase meter etc, but if u never learn to beat match by ear and rely on visual aids, then i'll cast u under the same shroud as all the other fucking wannabies out there.
    Traktor Scratch Pro 2.7, MBP 13", iPad 2 & TouchOSC, Reloop NEON, Pioneer DJM750mk2, Mackie d.2, Pioneer CDJ800 x2, Technics SL1210MK2 x2, NI Audio 6 DJ, Dicers,

  4. #14
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    As the previous two posters have mentioned, beat-matching is a skill that requires practice. It was essentially a life skill of any DJ - much like reading a crowd or volume control or knowing your tracks - prior to the emergence of accurate BPM counters. And while BPM counters prior to the software versions are not to be fully trusted, they did an outstanding job of putting a DJ in the right ball-park for pitch. It should be mentioned that some CDJ have BPM's to the tenth now, so the accuracy eliminates some of the extra error margin (CDJ-350 for example).

    The Sync button simply allowed DJ's used to beat-matching to be able to be much more creative without having to spend the amount of time needed to cue up manaully and beat-match by ear that was necessary to craft their sound. It also allowed for DJ's to mix any number of decks together with less fear of things going all wrong mid-mix. And while it seems like completely cheating, there still is a margin of error within some programs as I mentioned prior (such as Itch).

    What kills me is seeing these mixes out now where tracks have clearly been cue'd and synced, but it is clear that some nudging is needed to fine tune the alignment. The trained ear needs to recognize those pitch needs. This goes for EQ'ing as well.

    You will be doing yourself a great service forcing yourself not to use the Sync button UNTIL you have felt that you have mastered the art of beat-matching, whether you plan to be a professional or amateur.
    Best of luck!
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  5. #15
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    Quote Originally Posted by djchriswoods.co.uk View Post
    for sheer respect of the scene and the craft you should learn to beat match by ear, but forget weeks, it will take months to learn!!! yes all cdjs have bpm readouts, but they cant be 100% trusted. and yes if uve beat gridded ur tracks in traktor that will be accurate as fuck with the phase meter etc, but if u never learn to beat match by ear and rely on visual aids, then i'll cast u under the same shroud as all the other fucking wannabies out there.
    Yeah this is what i thought, i can't help but feel i'm cheating everytime i use the bpm counter/ phase meter, i would never dare perform in a club without at least having the skill of manual beatmatching. I feel it would be disrespectful to my vinyl spinning friends.

  6. #16
    Tech Mentor Lilac's Avatar
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    Meh. Beatmatching is a dying skill. We've had hundreds of threads on this so I wont go into major detail, just give the major points:

    - Beatmatching by ear is the norm for Vinyl and CDJ.
    - Beatmatching by ear is no longer the norm for controllers.
    - With more and more people moving to controllers, less people are beatmatching by ear.
    - With things like beatgridding, less people feel the need to learn to beatmatch by ear.

    In my opinion if you can't beatmatch you're not a bad DJ or a fake, just a new breed. I remember spending days at a set just trying to beatmatch properly. That just isn't required with today's technology.

    So hey, if you feel like learning to beatmatch, more power to you. If not, screw it, who cares?

  7. #17
    Tech Guru dripstep's Avatar
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    Beatmatching isn't a dying skill. If you don't beatgrid your tracks, you can't properly use sync. If your bpm counter is off, your mix will sound off. If you want to DJ, and want to be serious about it, learn how to beatmatch. When things go wrong, and they will, you will be happy you put the effort into learning.

    Part of the problem with the technological revolution that's going on right now, in DJing, and the world, is that we are becoming far too reliant on electronics. If your microwave breaks, can you cook all of your food in the oven? Handwriting is being taken out of schools and is being replaced by keyboard skills. A great thing to know, but what happens in 2 or 3 generations when something crashes and nobody knows how to write? Another dark age.

    We (as a society) are becoming lazy in many aspects of life because technology makes things easy. If that technology isn't there one day, or stops working, do you have something to fall back on?

    Mixing by ear isn't about being "better", its about adapting and being able to switch out of your normal routine when that routine fails.
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  8. #18
    Tech Mentor Lilac's Avatar
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    I can't tell if you're just acting daft or if you're actually an idiot.

    Your argument is that if we come across another dark age, we'll need to know how to beatmatch by ear?

    I agree it's a useful skill, I disagree that it's needed. People just beatgrid these days. It's easier to just need a few nudges then to beatmatch every song.

  9. #19
    Tech Guru dripstep's Avatar
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    Keep the name calling down bro, its not necessary.

    The point I was trying to make is that we rely too much on technology to do things for us that we can do naturally. The dark ages point was obviously (you missed it) a gross exaggeration. I don't expect for technology to all fail, but that just re-enforces my point, we don't expect it to. You tune your laptop right out so that it runs at full peak, but it still crashes, and you get angry because you didn't expect it.

    Learn to beatmatch by ear if your not lazy, or take the beatgrid/sync route if you want to as well. Or better yet, learn both. What does it hurt? What happens when you know traktor inside and out, can use beatgrids and the bpm counter, and then go to a friends house and use serato? You can't match by ear, so you have to rely on those little hash marks.

    If YOU don't want to match by ear, I don't care, doesn't affect my mixing. Just making a comment, don't like it, don't read it.
    2 x gemini PT 1000 . Gemini PS-525 . X1
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    Quote Originally Posted by The Mighty FV View Post
    manners don't cost a thing dude - never forget that, it'll help you in all walks of life.

  10. #20
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    Different viewpoints.

    I think it's important but if the software can do it, and you know how to set it up correctly, why bother with beat matching.

    This is sort of like the old days of computers, 30 years ago it took a computer science degree just to use a computer, now the technical stuff is all done behind the scenes so that anyone can use it. Yes, you can get technical and dig into the guts of the computer, program your own scripts, but why should you when it works just as well without.

    For some people, they want total control and understanding how to beat match without any external help is going to off the most control, much like the technical computer user wants to control their OS.

    My only concern is if you need a tool or feature to mix, what do you do when you're working on a different system?
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