Juli, I actually kind of disagree with you in the whole laptop thing. Most of the "real people" i've talked to still don't have a clue what a DJ does. Some people honestly think that everyone's sampling off records and remixing on the fly. Others honestly believe that they "had that track" back in '95 when it's part of an all-original live set that has never been released.
It's all just BS. The punters don't know any more than they ever did, and NI's marketing has done nothing to change that.
And I've never heard anyone legitimately criticize Ableton when they had any clue how to use it unless it just wasn't their preference. I talked to one guy–a touring DJ with a record contract–who had a several-year policy of walking out on anyone he saw spinning Live because he thought it wasn't possible to not pre-record your set. Just about the only thing we agreed on was that Sasha is better on CDs than he was on Ableton…but that might just be that he's doing fewer (or better) drugs now.
Now, I'm with you…the Octatrack (and all of Elektron's stuff, actually) is amazing. If someone gave me a lot of money…I'd buy the trio in a heart beat. No questions. And I'd spend a while lost and eventually figure it out. And I'd enjoy every minute of it.
But I think calling it "Ableton Live in a box," is a compliment.
And $1500 isn't too much to pay for it. If I had that much cheese to devote to a groove box, I'd own one. Compare it to everything else on the market…it kind of just wins. And technically my MBP + Maschine cost more…and gives very few extra capabilities (basically just easy integration with a DAW and a big sound library). It's just that I was going to buy the MBP anyway.
The Octatrack is on my "if I won the lottery" list.
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