Using traktor pro, when syncing track one with track two (to beatmatch), track two reverts to track one's or the master bpm..
How do you get around making a transition from track one (120bpm) to track two (124bpm)
Using traktor pro, when syncing track one with track two (to beatmatch), track two reverts to track one's or the master bpm..
How do you get around making a transition from track one (120bpm) to track two (124bpm)
i´d pitch the bpm of track one slowly to 122 bpm and start track at 122 bpm, too. and on and on till you reached 200 bpm
I'm just a girl, standing in front of a boy, asking him to love her.
You got the BPM set to auto?
CLUB OF JACKS - RELEASES >>TRAXSOURCE
Club of Jacks are a London based House & Garage production / DJ duo with releases on a number of underground labels including Plastik People Recordings, Blockhead Recordings, Hi Energy!, Pocket Jacks Trax, Soul Revolution Records and their own Club of Jacks imprint.
i'm not sure, how can I check if the BPm is set to auto...
Should it be?
the sync button shouldnt be yellow. if it is it will continue to follow what the master deck does
(im not entierly sure what youre asking)
track 1 = 120 bpm
track 2 = 123 bpm
track 3 = 126 bpm
track 4 = 130 bpm
When I mix track 1 into 2 and I press the sync button
track 2 reverts to track 1's bpm.
If I mix all the tracks I stay on 120bpm even though track 4 is 130bpm.
How do you get around this transitional issue?
Set the master track to track two, then sync track one to track two (I'd do it manually to make it sounds smoother if track one is playing through the master).
That way track one's bpm with sync to track two's
your putting too much thought it to it...and really taking all the fun out of djing. Ill spin a song thats 122bpm and pitch it up to 128 with not problem. Stop over analysing it
yeah that's enough of a BPM change to worry about sound so go upper left in the global section click on the metronome symbol and select auto make sure keylock is on.
Yeah, I generally will speed up or slow down the track accordingly. I'll either do it over the course of the entire song, so no one will notice, or all at once, at a breakdown or silent point in the song.
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