Originally Posted by
exokinetic
From all my RELIGIOUS beat-gridding of my DnB, and having them locked, and analyzing them now in TSP2...
I sincerely think that the "resolution" of the adjustment you had over the "grid line" in TSP1 was not "fine" enough to set the beat grid exactly.
I say this, because in TSP1, even after RELIGIOUS beat-gridding of tracks that DID NOT drift, even using the tick, to beat match the "grid line" to the particular transient I was using, I found that sometimes when I put one track that was just slightly off, ahead of the transient, into another track, that was just slightly off, behind the transient, if I sync locked them, it sounded VERY SLIGHTLY off.
It is a very faint difference, but when I take off sync lock, and nudge either of the tracks the faintest amount back to where the theoretical "phase center" should be, it sounded MUCH more harmonious, like it was *cough* perfectly beat matched.
SO, that being said, when you zoom in 10x farther than you could in TSP1, in TSP2, you can "see" how far off the TSP1 grid line actually was, and adjust it to an even "finer" resolution.
I really love it, I have a feeling after I go back through all my DnB, and set the beat-grids to a scientific degree of accuracy, that any two sync locked tracks (when all other things are perfect, key, phase, measure, general "feel") are going to be "perfectly" beat matched.
And thats my 2 cents.
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