Didn't his mate say recently that he mapped his gear so that he can do the same thing different ways, which obviously looks like he's doing additional stuff, rather than reaching for the same pots & pads.
Dj'ing is so much about showmanship and marketing more than ever these days, and having an array of nice coloured flashing pads is all part of that
I'm not actually convinced all the latest DJ trickery adds a whole lot more than what was going on when it was just vinyl. I thought, and still do, there was something so exciting about having the limitations of 2 decks. If you've looked at the grooves of a record under a microscope at a cut you will see the squiggly, higgeldy-piggeldy grooves going all over the place, so it seems so improbable to play that on some turntables and get them in sync.
Listening back to some really great vinyl only mixes. What Hawtin is doing is clever, etc, but it's not a lot more aurally exciting than some of the great vinyl mixes, with great tracks, mixing, and cuts I've heard. It's probably better to watch.
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