yea, i’ve seen it on judge judy and read stories. If i ask you to paint my house white and you paint it black. i can refuse paying you. same principal, you didnt fulfill our agreement.
just watching out for the dude.
yea, i’ve seen it on judge judy and read stories. If i ask you to paint my house white and you paint it black. i can refuse paying you. same principal, you didnt fulfill our agreement.
just watching out for the dude.
This.
You know for all the hate people on here have for Top 40, there are some bad ass DJ’s that play open format out there and the same type of negative comments could be made about DJing house music. I could say, just download beatports top 100, all songs have intro’s, and just hit some delay or reverb during the break down, best of all you can just hit sync and not ever have to scratch.
I went to a club not too long ago and Joe Maz from DiscoTech was playing and it was one of the tightest sets I’ve heard. Regardless of genre. Don’t be haters fellas.
How do I switch to top 40 without holding my nose?
Wtf is with all the top40’s hate? You guys must not know about DJ AM or just lack the creativity to figure out how to mix because top40s and hiphop can be entirely enjoyable to mix given the proper practice and skill.
In fact I’d say it’s harder to mix top40’s because of the expectation the crowd has when listening to top40’s tracks. You have to be innovative in a way that makes people forget you are chopping up their favorite tunes while keeping them dancing and making them go crazy.
Sure most top40s djs lack any sort of creativity but if you have enough practice, and skill you can have some of the most creative sets which do more than just rely on proper phrasing, energy and EQing but also incorporate concepts like wordplay and juxtaposition to create moods by interplaying lyrics.
To be a great top40s Dj you need to have an encyclopedic knowledge of tracks spanning over 20-30 years with proficiency in mixing multiple genres ranging from disco/funk, to rap/hiphop, and house. you need to be able to cut and scratch, blend, use proper effects, and create seamless transitions from one genre to the next and do all of the above while reading an extremely finicky crowd who might stop dancing after one wrong choice. Most single format edm DJs would simply not be able to step up to this challenge.
THIS,
Playing top 40 crowds can be a lot of fun.
Doing a charity gig lead to many more paying gigs for me.
Paying gigs mean money to feed my RGAS and music collection.
Winning.
Could not agree more with this. The other thing I love about playing these kind of gigs is that you have to completely leave your ego behind and play to the crowd. Yeah you’re not going to get to play out all those tasty new beats you got and show off your underground tunes and long mixes, but you’re going to make a few hundred people’s friday night go off with a bang and share it with them!
Judge Judy had a case where she had to decide whether a Britney Spears remix was top 40? I don’t think so. And even if she did, you really can’t apply any of that to the real world; those cases are taken for pure entertainment value, and while the participants agree to be bound by her decisions, those decisions are meaningless in terms of legal precedent.
about the whole pride issue, and integrity thing, I’d rather play top 40 every once in a while at a place and get paid, its better then playing to an empty bedroom all the time.
Sometimes you have to go outside your comfort zone. I DJ’d at a club that was primarily hard rap and pretty much “ghetto” hip hop(may not be PC, but you get the idea), which is not really what i listen to, however, i sucked it up and started researching a lot of artist and songs. i got a lot of requests for songs i never head, i.e. “It my dawg birfday”, but luckily they had wifi there so i could easily download tracks on the fly. I got paid for my gigs, which made me happy and people got to hear music they liked, not just what i liked.
honestly, sometimes its not about pride, its about getting paid…or in this case, hooking up a charity orginization(which i would do for free in a heartbeat no matter the music genre)
Well, there’s a difference between a working DJ and a DJ who is following following his passion and art and won’t compromise his integrity just to get “paid”. Plus I’m sure there are a number of other DJ who are more qualified than yourself to do the gig so why not toss them a bone and continue to pursue what you really want to do and play.
you shouldnt have taken the gig. if you dont have what they want to hear or even elctro/house/ remixes of it. your lost.
i have a whole genre called POP/HOUSE its top40 songs remixed or reproduced with house or electro beats. pretty much the same top40 song but electro
there are tons of remixes of every top40 song. if you cant find the good ones you shouldnt be djing gigs for top 40 crowds (which is 90% of the gigs out there)
shut up and hold that nose.
!!!
Me too! :d
go listen to some top40 radio stations that have live djs, not sure where you are from but it’s becoming a pretty big trend around southern california.
i actually have a top40 gig coming up and have been practicing for the past month. while i too didn’t enjoy it at fist i am now getting more used to it and really liking where im going, but it wasn’t until i heard other people doing it. mixing top 40 is much different than just house or electro, you just have to get used to it inorder to havre some fun.
note: go check out the djcity blog. they have a few really good top 40mixes.
also remember the older your crowd the more older songs you’ll have to play and you’ll probably have to be a bit more creative (a room of 40yr olds is much different than a club full of 20yr olds)
Not hating on top40/hip-hop at all, just the fact that he would except a gig knowing full well he’s not prepared for it. Far from being professional.
But I wouldn’t enjoy playing top40/hip any more than a top40/hip-hop jock would enjoy playing some underground techno/deep house tunes. It’s not a question of being skillful enough to play this or that, it’s a question of if you like what you’re playing regardless of skill level.
I’ve had plenty of offers to play at this club or that event and get paid well for it but I declined them because I know I wouldn’t enjoy it and I wasn’t prepared for it. Instead of wasting my time trying to learn and research what’s all on the radio and then have to go BUY all those tracks, I would rather spend that time looking into music I would actually enjoy and want to buy.
Instead, I pass those gigs onto friends who I know would enjoy it and do a get job, and those friends have eventually heard about so and so gig or event and helped me get into those.
Don’t be afraid to pass a gig onto some one else if you know you can’t handle as it will come back around!