How to Get to the "Next Level" (Read before asking)

How to Get to the “Next Level” (Read before asking)

Hey,

Every week we get a “how do I get to the next level” thread from bedroom DJing to out live. I thought I’d share how I reached a level of “success”, where I’m at today. Not every one has and will go this route, but yea, feel free to share your own “roads to success”.

NOTE: While alot of this advice can apply to all clubs/bars… this should mainly be considered for the bedroom DJ trying to get out and DJ live… and his or her best chance is by getting a gig at a top40 bar. It just is what it is, since theres so many of them, theres alot of spots for DJs. (Euro DJs, save your criticism about the music scene in America… we know it sucks, get over it lol).

A little info: I’m a 24 year old DJ in Philadelphia. I’ve DJed in numerous clubs and bars ranging from top 40 clubs to prog house/trance clubs, and trap/dubstep warehouse parties (my favs). I started DJing (if you want to call it that) in highschool, by bringing my laptop to my friends basement parties and just opening two YouTube tabs and playings songs and fading in and out of each page :laughing: hahah. People still loved it though, which made me come to realize what is most important…

Song Selection- It didn’t matter how well I mixed songs (considering it was youtube, it was impossible to mix well), but the selection of the song choices were important. It didn’t matter if you train wrecked, or even if you let some dead air for a second or two play out before your next song started… the song selection was key.

Connections- Don’t even bother posting/asking what you need to do if you haven’t even gotten mixed with your local scene. Being in Philadelphia, I’m lucky theres a bar pretty much on every block of center city… but for people on smaller/remote areas, it could be tough to break in. Frequent the bars you want to play at, and take in the scene. Almost all of my gigs have come from me being a regular at a bar, and going early or on a slow night and asking the bartender or manager about who is in charge of booking the DJs. A Face to Face connection is MUCH stronger than an e-mail or Facebook message.

Skills- Believe it or not… this might be one of the LEAST important things. Now I’m not saying you can be absolute shit, but like I said above, song selection is probably 75-80% of the battle to DJing most clubs (in America that deal with Top 40 and "house"). I couldnt count how many bars I’ve been to where the DJ is atrocious, but people don’t care or even notice because theyre there slugging down their drinks to get drunk… not to critique you on your beatmatching skills. In most clubs like this, like I said, the song selection gets you the job, not how awesome it was that you 1/2 time mixed a 70bpm dubstep song from a 140bpm house track. They also don’t care that you practice a 5 min routing of beat juggling. In reality, most top 40 punters would be annoyed at you.
Just learn how to beatmatch and fade A to B and get tempos right and you’ll be fine.

Gear- I started out with just my laptop and VDJ lol. Moved onto a Numark Mixtrack Pro because I thought I would be laughed at in the club. In reality, no one cares what youre using. Thats a myth created by really skilled DJ with awesome gear who are sad their losing their jobs to kids who can beatmatch and mix from A to B. I went from the Numark Mixtrack after 3 months and got an Traktor S4 because I was djing another bigger club where I thought theyd judge me on my Mixtrack, and in reality, they didn’t care either :roll_eyes: Just get what you’re comfortable with.

Network- You GOTTA be active on social media. Twitter/facebook/soundcloud/instagram/anything. You have to show that you have some presence and friends and not make it completely obvious you’ve only DJed in your bedroom or basement. Before most bars or clubs hire a DJ, they DEF check out that DJs facebook and google his name just to see what theyre getting into. If you’re not active, then you’re nonexistent.

Mixes- there are tons of services you can use, but I use Mixcloud and Soundcloud. My passion is Trap/Dubstep but I DJ for a living DJing top 40 clubs and hip hop as well. Make a soundcloud displaying your range. I have 4 mixes each 25 minutes long, that I mix a certian genre. Basically a “Rap” mix, “House” mix, and what not. Don’t make your mixes more than an hour… bar managers usually dont have time to sit around for over an hour and listen to you mix top 40s.

and finally…

TAKE ALL GIGS- This advice is for someone who wants to break out of their bedroom and into the scene. You think every DJ who plays top 40s/house in clubs actually ENJOYS all the songs they play? Im lucky that Im open minded and enjoy all kinds of music from Zedd to Tupac, Kendrick Lamar, Skrillex, and even some Bruno Mars. Fk it, I dont care. But what I’m trying to say is that you don’t know who will be attending the bar you’re DJing at. I’ve gotten so many gigs from DJing other places, where a bar manager will walk in and say “hey man, Im the manager at XYZ club, you should come by.”

If all else fails, you could also go the route I took… I was a barback at the first bar I ever DJed at. The DJ quit the same day he was scheduled, and they needed someone that night, so I told them I DJed and I was set to play that night. Have been DJing there every Saturday sine haha.

I’m sure theres plenty of other good advice, but thats the most I could rattle off the top of my head. I’d love to hear others.

Im not trying to shamelessly promote, but here’s an example of what I mean by beatmatching and simple mixing of top 40.

https://soundcloud.com/metalgearrr/live-dance-mix-at-plough-and

Mods- if you dont find this in the rules of the forum, then my bad, u can delete it, just thought itd be useful.

you make too much sense.

I would change the “take all gigs” section to…

Take all gigs until you learn who not to take gigs from.

yes yes def. I’ll edit that. I just meant, don’t be picky. When your a bedroom DJ, your not good enough to pass down top 40 clubs.

Good stuff, man.

metalgear,

you are evil.

The whole topic is cool, and i’m not hating but…

You can’t use sync?

Absolutely. But do you ever want to be in the position where you say “I can’t take this job because I don’t know how to actually mix without my laptop”

Soo… in order to get big, you should learn to beatmatch? I haven’t understood you well :disappointed:

No no, getting big and being a working DJ are two different things. Look if you go to a gig and your laptop takes a shit and dies, which sometimes it does, you’re going to have to use whatever they have there, or go home without pay. More often than not, they will have two CDJs and a mixer.

Oh, I understand! The beatmatching thing has never been a question to me, because i’m too young to be hired to DJ in bars or clubs, but def wanna learn to do it! (btw congrats for the 500 posts! :smiley: )

Cheers man I didn’t even notice haha. Yeah I started light jockin’ in a club and I that’s where I learnt to use CDJs, surprisingly I never tried learning to beatmatch because I always used other DJs’ DVS systems which more often than not tell you exact BPMs and other visual cues. However I found that not long after, I could beatmatch on anything. It just came to me. It took me three goes A>B mixing on vinyl to get it down, because vinyl has a more skilled approach to altering the tempo, as opposed to the robotic CDJ and laptop systems. But, I also now manually beatmatch on my S4, again it’s just natural, and any decent controller will allow you to learn to beatmatch, you just gotta do the “blindfold” test so to speak for about an hour a night and you should have it down within two weeks.

Metal

While I think your post provides some good info the complete beginner asking this question, I think your post should be stated in the proper context. These guide works for “small bars in your area”…and quite possibly in other bars in other cities. BUT — I wouldn’t state these words of advice as gospel. I can assure while helpful, not much of this applies to “Big” Clubs where I live. Perhaps at some smaller bars, but def. the minority.

+1 on Sambo’s post.

I also started out at college parties playing off of youtube. If we wanted to get the party going and the hosts didnt have good music I would just take over. I would keep opening up songs in new tabs and kind of create a playlist with it. People didnt care if i had a wicked setup. I just played the songs that got people dancing. Those parties were some of the best ive ever been to. What really got me hooked on DJ’ing was that feeling when you drop the perfect song and the whole party goes wild. After a while people would come up to me at other parties and ask me to jump on youtube to get the party going. Youtube wasnt much to play on but thats where it all began. After a little while of this I decided to get a traktor audio 2 interface and a stanton midi controller. After i caught a severe case of RGAS and it hasnt slowed down yet.

I’m pretty sure I made it clear that this is for bedroom DJs looking to make the jump from bedroom to working/bar/small club… this isn’t for lavish clubs and scenes that you may be used to in Miami. So… idk if you actually read the post, but I thought I made it pretty clear.

I read the post man. Don’t jump so quick to get defensive…

…like I said, it’s good info for the complete beginner. You also have to realize, the complete beginner may not know any better and think this is the end all be all rules to succeed.

sorry. early morning post so i guess i was cranky and i didnt want to come off as rude.

but yes, this is not GOSPEL… so dont consider it.. but also realize where YOU are like i said… Miami > 99% of the DJ market.

I thought you made it very clear that this was just your personal experience. In fact, in the very first paragraph you say, “Not every one has and will go this route” and you ask for others to share their personal experiences. Not sure why anyone would suggest that you were even hinting that this was gospel. Seems a little unfair, especially since you made the effort to post your own journey in hopes of helping others. All anyone call tell is their own story.

To reach that upper level, your mind, body, and soul must be one. It takes sacrifice. It takes hard work. It’s a way of life.