Newest club hype.
This song is starting to become a huge hit in the Netherlands and Germany. Have any other countries picked up on it yet?
haha I would be surprised if that caught on here in the UK, but why not ey
i remember scooter being number 1 in the UK… 
99 Luftballons was #1 in the US, it even outsold the english version. Anything’s possible.
That track reminds me of this dreadful export:
Well, Deichkind they are not, but it’s a nice track for clubbers with humor.
I usually play Tocadisco’s Tocacabana remix, though:
sooo getting on my nerves by now here in germany - way too much like Deichkind!
better go for:
why would they? it’s the “3 tage wach” of 2010, playing this to people is a fucking insult. I don’t want to treat my crowd like a bunch of retards.
So whats being said in the track(s) 
Nice track!
I liked 3 tage wach. Maybe it’s my horrible taste in music, or that I’m a retard..
“no way man… I’m not going home… I wanna dance a bit longer” plus bits and pieces of conversations you usually overhear at the end of a party. basically, it’s supposed to mimic the typical situation where some wanker starts a pointless discussion with security after the DJ stops playing. it’s neither especially creative nor entertaining unless you’re 16 and very drunk. people who make tracks like those deserve to be shot.
taking a break while en route to a festival the year “3 tage wach” was released, I overheard a bunch of kids around the age of 13 singing the lyrics (I’ve even got it on video). there’s your target audience for this kind of “music”.
I wonder how certain people would think about “3 Tage Wach” and “Nein Mann” if these tracks would have stayed outside of the Top 100 and commercial radios. I mean, in the electronic dance music scene we are willing to give all kinds of dumb lyrics a pass, especially if it’s maybe just one or two words that are repeated in an endless loop, but as soon as kids are able to buy it as a ringtone, they start to hate it.
On the outside you can look down at “Nein Mann” as just another Ballermann compatible cheap ass track, but to be honest, it’s pretty well produced and the dialogue breaks alone belong to the more original things I heard in the clubs for a while.
(Not to mention the sweet irony that the track and its producers are now in the same “Eeew, it’s commercial” trap, that David Guetta is stuck in since last year, despite the short diss at Guetta that the track contains. )