Torq 1.5 Gets NO Love Here?

Torq 1.5 Gets NO Love Here?

Pardon the newbie question, but I just registered to this forum. I noticed something while briefly scanning through the posts: M-Audio Torq is rarely mentioned in a positive light here. Am I off base by saying this, or is there a solid reason for this? Feel free to correct me if I’m wrong.

I use Torq. I admit, it can get quirky every now and then. But it does the job.

I am also interested in using controllerism with Torq since it accepts MIDI, but I have yet to see any mapping or controller tutorials on DJTechTools or the forum. More to the point, I want to try the Guitar Hero controller to trigger loops in Torq, but even on Torq’s own forum, there’s just no how-to’s for anything like that. Is there a reason for this? Am I going to have to break some new ground myself and create a Torq tutorial to get the other Torq users here out of hiding?

:confused:

Somebody help me out here.

Respectfully,
– B-Naut

I dont think anyone ‘bashes’ on any DVS or DJ program. Thats not really the DJTTs way. (i know you werent saying that)

I guess something get as much love as there are lovers of it.

If more people used Torq there would be more posts about it.

My guess is that now you made this thread all the Torq users will pop up and say Hi.
There are a good few i think.

True that this place is heavily based on Traktor and Serato but thats just representative of the user base.

Welcome to the forum by the way.:slight_smile:

K

Well i’d say it’s cause maybe torq unlike serato vdj or traktor has less natively recognized midi instruments…and cause the only controller that actually gets sold with torq is the x-ponent (unless you use the dvs…but traktor costs less and plus you got the whole thing of traktor scratch duo which comes much cheaper…and serato is more known than torq regardin dvs) if im not wrong…so there you go…i guess that explains it

I tried torq for a little bit and found it’s mappings unintuative (the learn function didn’t seem to do what I wanted) and it didn’t like mapping to my BCD3000 at all. I guess I shoudl give it another go with the vci300 now…

Effects-wise it seemed to fall well behind Traktor, while cues are quite comparible to CDJs.
In-terms of the guitar hero controller thing just read how people have been setting up korg NanoPads or similar devices in Torq and then read about how people are getting the guitar hero to spit out midi messenges there’s a cross-over here and that’s all you need to get it rockin :slight_smile:

I don’t believe that Torq has what it takes to attract the die hard fans and advanced DJ’s that want to explore it’s limits. In my humble opinion, it’s a software by beginners - for beginners. A nice introduction to DJ’ing, but not a viable tool for experienced users.

With no user base providing feedback and bitching about stuff, you can’t stay in buiness today, and I believe that Torq lacks that user base since it’s probably most “newbies” and “bedroom dj’s” that uses Torq.

(just to be perfectly clear: I’m not implying that all who uses Torq are newbies or that “newbies” aren’t entitled to help and support)

i tried torq before 1.5 and promptly returned it. most importantly i was getting blue screens of death from the connective soundbox, never had that issue with any other soundcard i’ve tried. other things i disliked were the interface and that amputate mode was an afterthought.

i think most people get torq cause its cheap, but this is one of those times were you get what you pay for.

not bashing on torq for no reason, just offering explanations on perhaps you don’t see more torq stuff here.

djforums has a base of torq users, and there is always the m-audio forum if you are looking for more info.

a good group of friends of mine are diehard xponent users and man do they rock out. Why dont I use Torq or the exponent? Because despite how great of a combo they are and work great, I cant do it my way. Thats why Im a controllerist and not just a DJ who uses a midi controller. I find that Torq users are the minority here because of how difficult it is to use the program and controller in a controllerist mindset. Correct me if Im wrong, but this is a forum for controllerism no? The midi programming features in Torq are lacking. Only 2 decks is no bueno (admittedly in the beginning I wouldnt of cared, but now its a must have), the effects arent bad, but Traktors is just too awesome.

Once Traktor gets a sampler and implements global modifiers that work across multiple devices I will be super happy. The biggest thing holding us back is the controllers themselves although Ean and Co do a fantastic job of showing us how to work around limitations.

Didn’t Torq have the worst time stretch algorithm in a DJTT article a while back?

Atleast torque has support for tracks with fluctuating tempo’s, Traktor users have been waiting for that forever

I used Torq when it first came out… It was just so buggy. The sound card was junkie it seemed, very toyish, and unfortunately you were stuck using their sound card. I had their xponnent controller for a month and tested it, but again it was junkie and toyish…

Torq was teh first DVS system I used and mostly used it with their control CDs. I think it helped me so using Traktor was kind of effortless, and I didn’t have to learn much.

I feel the Torq products and system just aren’t good for techno or any EDM Djs for that matter…

Not bashing them, just not fan of their stuff, and that is all based fom my experiences. I think I used the Torq stuff for almost 2 years…

I really liked Torq for awhile. I used Traktor when it was first released for the mac platform (back in day) and then when to Final Scratch (when it was a Firwire interface but was seriously buggy), So I moved to Ableton Live for about a year or so. But that experience left me cold when DJing… so I went back to a DVS.

I chose Torq and really enjoyed it. The simplicity of setting it up was pretty rock solid, no buggy instances when getting everything sync’d (I used the CDs that came with it).

But then I became increasingly frustrated with the length of time it took to release 1.5 (over a year, I think). And I saw what was going on with Traktor Scratch Pro - the releases and it was covering usability solutions I was waiting for Torq to handle - but never did.

Until it was too late. I migrated to TSP and haven’t looked back since.

Torq is an extremely capable program, but I don’t like the support and maintenance release schedule(s) that they botched.

I do think the gridding was quite impressive though. A lot more reliable when first analyzing tracks than even TSP does today - but that wasn’t enough to make me want to go back. Especially with the X1 now - and the very creative MIDI assignments that TSP has.

rob.

p.s. not to mention that TSP appears to be the standard for electronic dance music DJs that are into techno, etc.

Totally agree. I have the same feelings you have! I waited for quite sometie for the 1.5 release and it was pretty much nothing to write home about. There were only a few things positive about Torq, not enough to make me want to use it or trust it on a regular basis. And yes, Traktor is the standard amongst Techno djs etc…

Yeah, Torq has some seriously wizard cool features. It also sits in a comfortably lower price bracket, which in my opinion is awesome since the richness of the software gives you more than you pay for.

But.

I don’t know how to say this without throwing Torq under the bus, but of the three DJs I know who have used it loyally in the past, all three have moved to Traktor or Serato and have no desire to go back. I think they were initially sold on the price of the system, tried to stick by their decision for as long as they could (admirable in a world where Torq doesn’t get love), then resigned themselves to moving on to the industry standards.

LOL. All I have to say is, “Wow.” I started this thread in a sleepy stupor at 5am last night and had no idea it would trigger such thoughtful insight about everyone’s DVS weapon of choice. I appreciate the constructive honesty behind the replies y’all gave. Thanks everybody.

Truth is, I agree with the good, the bad and the stank ugly that all of you mentioned about Torq.

Yes, at the time I got Torq, the low price vs. the function-bang-for-my buck is exactly what sold me. Prior to that, I was occasionally nursing the stretch marks I got on my arms lugging two 100+ capacity vinyl crates with heavy duty shoulder straps from gig to gig. I’m an old school vinyl junkie who is a major tech geek. After much research I wanted to try DJing with more lightweight gear hoping to get my mixes more complex along the way. Torq seemed like a better beginner solution since: 1.) I heard rumors while attending RemixHotel Atlanta (2006?) that the Final Scratch online forums shut down because it became a giant angry mob of people complaining how it crashed… 2.) Serato looked too rigid to have the flexibility I wanted… 3.) VirtualDJ looked like a toy for wedding DJs… and, 4.) Traktor was a bit pricey, came in too many versions and flavors, and I didn’t know much about it at the time.

I bought Torq and stuck with it since. But after reading this, I’m thinking I may have outgrown it a bit if I want to explore the techie controllerist side of things more than what I already do.

I can easily see how it can be seen as an entry level DVS system (even though I use it and I’ve been a DJ for 16 years). After seeing what y’all said, I suppose Torq is the equivalent to starting out on some Numark/Gemini belt drive turntables: Does it do the job? Yes. Was it cheap? Yes. Do you want to upgrade to a pair of Technics 1200s as soon as you save up the cash? HELL YES! … I knew Traktor and Serato had good support and are solid platforms, but never saw them as “industry standard” caliber until now.

Animus brought up something which sorta paraphrases my original train of thought regarding Torq: [QUOTE] The biggest thing holding us back is the controllers themselves although Ean and Co do a fantastic job of showing us how to work around limitations. [/QUOTE]

I agree that Ean and Co do a fantastic job at this too. The tweaks and hacks I find here for DJs is what keeps us all coming back to share what we found to go beyond the limitations of […insert random DJTT article here…]. That’s what puzzled me about the lack of tutorials/DIY hacks/workarounds/mappings/et cetera I found here for Torq because we all know Torq has plenty of bugs, quirks, and limitations that beg to be improved by users like us. (Especially since M-Audio doesn’t seem to be in a hurry to create improvements of their own.) IMHO, taking a good thing and tweaking it to be better (like finding new uses of stuff already in Traktor) is less of an impressive feat than taking a known piece of steaming rhino pooh (like Torq) and turn it into a shining freak of nature it was never intended to be in the first place. Unfortunately, I lack the tech knowledge, time, and patience to do that to Torq on my own. Before I go saving up the cash to upgrade to Serato or Traktor Scratch Pro, I suppose I wanted to find improvements/controller stuff I may have overlooked for Torq in DJTT and the forum here since the Torq forum members tend to look at me odd when I mention controllerism to them - which happens a lot.

Think of this thread as my last ditch effort to salvage the time and minimal money I invested in Torq already before I consider moving on to another DVS to learn.

Was going to say something on this but from reading its all been said

in short m-audio went the cheap route with it and have paid the price

Torq is cheap and has some cool features if you don’t have extra money for another solution like Serato or Traktor but in my personal opinion I prefer VDJ because it has support “open” audio cards (and conectiv is a bit crappy and hasn’t midi input/output).

Well as I stated, I too once used Torq, but you can’t really improve on a poor software issue… Things like bpm jumps, freezing/lockups, things like that are good enough reasons to ditch Torq. I understand you wanting it to work and be a good system for you to work on, but if it hasn’t gotten better yet and people are still saying how the people at M-Audio are still that far behind in their development and customer care it seems to be a good reason to move on.

Like you said, it was a nice introduction to using a computer for djing, but there comes a time when you need to move onto the real gear. You get what you pay for…

I understand. I’m not too stubborn to know I should move on to something new. In light of all this, I will move to TSP or Serato when I save up the cash to spring for it. My wallet has a few other priorities at the moment to get out of the way before I make the switch. I also will be left to continue gigging with my band using Torq for a few more months. In the meantime, I’ll be doing some intensive research to which DVS I’ll be moving to.

Until then…

  1. Do any old or current Torq users (those who are willing to admit they used it) have any controller tweaks and tricks you’d want to share? It’s ok to come out of the woodwork. I’ve already taken one for the team. If nothing else we can simply create a Torq Users Anonymous support group and air the traumatic experiences we’ve had. :roll_eyes:
  2. I want the versatility to use my current setup and add factory and DIY controllers (either USB or MIDI) that can fit the broad range of styles I spin. My current setup is this:
  • 2 Technics 1200s for vinyl control (cue precision is key! I need the tactile feel of vinyl)
  • 1 Vestax PMC 280 4-channel mixer w/ built in effects
  • new Toshiba L505 laptop - 4GB RAM, WIN7 64 bit OS, and Intel i3 Quad core processor
  • Lexicon Lamda USB external recording input (came w/ Cakewalk LE, which I hadn’t learned to use yet)
  • 1 M-Audio Trigger Finger controller pad (came w/ Ableton Live 5 Lite, which I hadn’t learned yet either)
  • Sony Acid 6.0 Pro to record custom loops and full mixes (which I hadn’t recorded a mix in a while since both Acid and Torq’s built-in ReWire features clash horribly)

… Knowing I like DJing live mashups, scratch in a rock band, and occasionally spin Electro House solo at various Atlanta nightclubs, which would be the better move: Traktor Scratch Pro or Serato? Any advice y’all can offer or tell me where to find the pros and cons for both side by side would be greatly appreciated! :slight_smile:

(Note to moderator: If this part of the conversation is more appropriate for another forum category, my respectful apologies. Feel free to move this as you see fit.)

Both warez will give you what you want. I think it would come down more to your interface and software preference. Being able to layer TPro’s FX with the Vestax could be kinda nifty, though.

used torq out at party’s never gave me problems I’ve heard lots of peeps have problems with connective which I’ve never had since the get go… I think xponent and connective are great. I think u can do lots of stuff with torq like snapshots the sampler recording 1 shot loops on the fly is crazy the interface might look kinda like ableton all in all is a great tool for starting or pro dj’s. It offers a lot for the price…

p.s I rocked torq last week at a party..