sure. so what do you notice doesnt sound simmilar to the tracks on your iPod? Do you notice that they dont sound as loud? dont sound as “punchy”? or do the tracks on your iPod sound a lot cleaner? or a mixture of all of them?
Loudness is an issue alot of the guys on my label struggle to deal with, they finnish their tracks, and then they tell me, well yeah, its good, but its not as loud as the other songs in my iTunes. Higher “loudness” of tracks you hear is due to post mixing compression and expansion of the tracks. If you compress a sound, in theory, it should keep the same “perceived loudness” while clearing a bit of headroom, depending on how you use your compressor. Effective compression is also a way to make your tracks seem punchyer. You have to spend a lot of time figuring out how a compressor works in order to make full use of it. If you just whack a compressor on a track, and use one of the presets, sure it might sound ok, but you wont be getting the maximum benifit that you could by tweaking it yourself. Same thing as all presets. They should just be used as a base or guideline for further development.
When someone masters your track, your supposed to leave them with enough headroom to make some changes and compress/expand and EQ the track, about 2-3 db in my experience is good to work with. then the mastering engineer does what he does, and jacks the track up to peak at 0db.
If your tracks dont sound as “clean” as other tracks on your iPod, try fiddling with each channels EQ a little more, particularly the mid to high frequencies (dont overdo it though) and maybe add some after effects on certain parts. For example, i like to add a little reverb to my clap/snare to make the snare sound “bigger” and crisper. i usually set the dry wet from 6-10% no more. you dont want to overkill the sounds with after effects, just enough to make them sound that little bit better without changing the overall dynamics of the track. Delay is another good after effect to put on certain parts, just dont overdo the delay either… max about 15% wet
With minimal/tech house, a lot of producers often modulate and automate certain paramaters on certain effects, so that the sounds are more dynamic, and it doesnt get too boring and repetitive. this is a good way to spice up your track, without adding any more “elements” into the track. Prime example of this, is modifying the reverb length and dry wet on a track to make it sound more “spacey” and then dropping it back down again, or modulating the rate of a delay. these are both techniques used in almost every minimal track ive heard.
if you want more info, shoot us a PM and tell me what specifically you want to know about making your track sound that bit better.