
 Originally Posted by 
tokenasianguy
					 
				 
				I couldn't agree more.  I've also realized that it's possible that people experience a totally different degree of difficulty from instrument to instrument, including turntables.
I know a guy that is a semi-professional drummer, but he tried DJ'ing for years and all I heard was one long trainwreck.  I've also DJ'd at a friend's place, where he uses CDJ's, and I haven't used CDJ's in years, and haven't even beat-matched since I started using Traktor years ago, but I basically schooled him with his own tracks that I've never heard.
Perhaps I don't give myself the credit I deserve, because I think DJ'ing and track selection come easy for me, because at the same time, I don't think I could play the drums to save my life.  I'm not stroking my own ego, but I've received praise on my track selection and programming, even if it's just an iPod playlist put on shuffle.  I've often considered the fact that I have a "gift" in being able to recognize an awesome track more consistently than some people.  But it still seems to me, that anyone with a vision can program tracks, and who among us doesn't have a vision?  
I can definitely understand that no matter how simple I think it is, some people might not even possess the ability to just mix two tracks together or program a good set.  I know when I started to DJ, I had no help whatsoever and it took me months before I could even mix two tracks seamlessly.  
But is that not an art in itself?  I was thinking after my last post that "art" is something that was created by you as your own artistic interpretation, and I guess mixing two songs together fits that description.  But on a whole I still find "DJ'ing" or "mixing two tracks" fairly ambiguous as far as "art" is concerned.  I guess whether or not "mixing" and "track selection" are considered an art, will always be open to interpretation because it's not quantifiable by any definitive terms.  But I guess that's no different from trying to define the legitimacy of any "art".
			
		 
	
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