So I’ve been notching for a couple of years now and I’m starting to get a good sound. I’m wondering though, is there a better EQ to use to get more accurate or better sounding cuts/notches.
Currently I use a Waves Q8 which is really flexible but wondered what everyone else used for cutting and boosting!?
Your using a Waves plug in and they make great plug ins, so don’t worry too much about what everyone else is using or you will end up with 10 great different plug ins. Granted you could use all 10 in different scenarios and they would all sound great, but wouldn’t you rather wanna master using the waves to it’s best ability eg. watching video’s where it’s used, tip’s from pros that use it, etc, before exploring a another plugin?
That’s the biggest prob with our plug in generation. back in the analogue days, you would read up on an piece of analogue gear, do as much research on it, then make the decision to buy it. once you had it, you used it to it’s core, till it made you the money you invested in it back and to the point where you’d show off all the use’s for it that no one else would think of. Now with plug ins and plug in piracy, it’s all a simple emotionless click away. we should get into the habit of one of each plug in.
sorry bout the mini blog, I some times get carried away, Just make music .
What I meant is plug ins in general, like some Compressors can be worked as limiters because the come with that feature but people don’t check it out and explore stuff like that simply because they see the name Compressor. And many other plug ins do similar functions.
Haha sorry, but yeah like I said with the waves your in good hands when it comes to quality.
For my own music making, I just use whatever EQ the DAW I’m currently using includes, either EQ8, Logic’s EQ, or Studio One’s Pro EQ. For my mastering work, I typically prefer using eQuality by DMG Audio. Huge range of sounds, squeeky clean and boring, or just a touch of color and character.
This is a little confusing. Are you talking about EQ-ing in general, or using EQ more as an effect?
In my opinion, there is little to argue. Any decent producer or engineer can do with whatever EQ’s are available. Back in the day you just got whatever table you were working on. Studio got a Neve table, guess it’s Neve EQ’s for today.
I also agree entirely with Reveren Kamakaze. Part of getting a good sound has little to do with the EQ itself, it’s more about your skill using an EQ. I’ve mixed tracks using only the standard Pro Tools plugins and had them sound better than colleagues who used Waves Plugins, when mixing the same exact track.
Honestly, you’re already dealing with high quality stuff. Like everyone’s already said, Waves makes excellent plugins, really hard to go wrong with them. My own personal recommendation would be the Sony Oxfords, also very good EQ’s. If you’re in this tier of digital EQ’s, you’re pretty much dealing with quality all around.
There’s also the big discussion about the use of digital and analog EQ’s. Though I won’t be getting into that right now. If you want to take it a step further you’ll have to start looking at the tonal qualities of each individual EQ, figuring out what their “sound” is, and what is better suited for each application. This goes back to what Reveren Kamakaze said.
Fabfilter Pro Q has improved my production style by miles since getting it! Awesome plug in, necessity for me as Cubase 6.5 doesn’t have frequency analysis on its EQ insert.