No, theyāre not. All of the dubspot videos Iāve seen are flat-out wrong and lead to train wrecks, clipping, and unnecessarily high cpu loads. OP, if you do watch dubspot videos, avoid DJ Endoā¦he doesnāt have a clue what heās doing.
The Ableton manual is good. And there are videos on the Ableton website that help. Itās a full-fledged DAW and wonāt hold your hand, but you can do basically anything.
abletonlivedj.com is a good resource. In addition to Tom Cosm, look up Tarekith (tarekith.com) and Will Marshall (marshall-law.co.nz). Theyāre both very capable Ableton users with a focus on live production and DJing, though will has since switched to Traktor for the time being. One of the best things you could do is to go through Tom Cosmās megaset or willās dj template and really understand whatās going on there. I think both of them use midi remote scripting, which means that you have to be able to read Python to be able to really look under the hoodā¦but just understanding the track routing, effects, and midi assignments will get you a long way.
Other than that, the best things I did in learning Ableton was to think āheyā¦there should be a way to do this,ā play around with the software for a whileā¦and if I couldnāt figure it out, I googled some relevant terms and it usually worked. There are a lot of little tricks that you can pull off (like turning your sends into behaving like wet/dry knobs) but that arenāt obvious.
The most important thing you can do to start is to figure out how you want to be able to play your material. Do you want to use full tracks? Stems? Do you want to play a soft synth live? Figure out your requirements and start setting up your tracks first. Then, I think the best thing you can do is to make a channel strip that you like and put it in an Audio Effect Rack. For example, mine had a 4-band EQ, a gain control, a delay, the Fade to Grey effect (two filters and a stereo ping-pong delay), and a filter that I could switch b/t high and low-pass.
Then, I built other audio effect racks to actually hold effects on sends, did the trick to turn sends into wet/dry knobsā¦and it was pretty darn cool. But I was DJing with full tracks and a VCM-600. If youāre more like everyone else, the apc-40 might fit you better, and thereās no real way to replicate my setup on an APC 40ā¦it just doesnāt have enough controls. But what Tom Cosm and Tarekith have done with the APC-40 and using stems of original material is kind of impressiveā¦and there are a lot of others who have done similar thingsā¦I just havenāt looked at their stuff.
For live production and live remixing, there is no better tool out there than Ableton Live. Higher-end hardware stuff like the Elektron Octatrack can be very close, but if thatās what you want, youāre on the right track. Just a warning, though, itāll take a while to learn. I started playing with Live (as in trying to learn it and using it as a DAW) around version 4. I did some half-assed DJ sets the whole way through, but it wasnāt until version 8 about a year and a half ago that I actually sold my turntables and bought a controller for itā¦I didnāt feel really comfortable with it until then. Now, on Traktor, I still consider going back almost every day. And I probably would except for the fact that warping really does get to be a pain in the neck.
Also, if anyone ever says that liveās auto-warping of full tracks is anything but atrocious, it means theyāve never tried to DJ with the software. Itās fine with loops, but Iāve never had it find the correct tempo or the first downbeat of a full song. Itās a lot worse than Traktor in that regard.