I have an interesting opinion as I’m coming at it from the other end than you are.
I started with a friends Torq setup, with crappy CDJ’s, and a diamond in the rough DDM4000 mixer.
I learned how to beat-match, and how to do it by ear or by eye. I learned the importance of a consistent beat-grid philosophy. So in essence, I taught my ear with my eye. I can now beat match two turntables just as quickly as I can using the pitch faders and a MIDI platter in Traktor.
My first stumbling block was going from my Denon CDJ DVS background, to using a vinyl DVS for the first time…
With ought ever having anyone tell the do’s and don’ts of vinyl. It wasn’t a large event, but it was a house party, and I was a nervous wreck, my fingers were constantly wet with sweat… I treated the turntables like glass sculptures cause I just had no idea what I shouldn’t do…
That being said, I have a friends borrowed TT’s in my room as a DVS setup right now, and have had them for 3 months.
I now know everything you need to know about “operating” a turntable. I’m not talking advanced scratching, because I DJ, I don’t scratch, but thats just me.
The money it takes to invest in turntables, when everything you need to know about using them in a club with dvs can be learned in like 3 weeks, if you have somewhere you can get some solid practice on a real Turntable…
(Record stores are a good place to start looking if you don’t have any friends with a set, they almost always not only have listening booths where you can get familiar with it, and an owner who can tell you the do’s and don’ts of using it to play a record, but a lot of them have a DJ setup, and either for free or for a small fee you can practice on it)
…is a very high price to pay for a piece of equipment you really don’t NEED to personally own, especially if you used a computer, DVS or no.
Same with the CDJ’s unfortunately. My Denons are just.. different from the way Pioneer does things, so it took a bit to get used to the “CDJ-X” series, but I got it down now from just playing on them at parties.
Personally, I cant wait to get these two borrowed turntables out of my room and replace them with the two DN-SC2000’s I have on the way.
SO much less weight. SO much less maintenance, and just overall sensitivity. NO MORE WARPED VINYL, AHHHHHHGGGGGG!!!
Never show up at a club and have a CDJ decide it doesn’t like my time-code. Or having to deal with a different CDJ everytime. I can practice on what I’m going to play on. I either put them on foam on the TT’s, or CDJ’s (aurolux ftw) or the guys are real cool chaps and they let me move stuff to make room, those denons are quite small.
I might have to buy a third stand so I can just clamp a couple stands to the back of the mixing console at wherever and put my stuff up there on a long piece of wood i put across all three to make another level…
shrug
I fully advocate “learning” how to use turntables, and how to operate pioneer’s CDJ series, but I really don’t think you have to own them to learn these things. A single deck controller that has shift function is going to be:
Cheaper.
Smaller.
Do everything you need regarding track control, as well as giving you a wealth of other MIDI stuff you can map to your needs.
I would much rather have an audio interface, an analogue mixer, and a couple controllers, than one big honking all in one thing. I really don’t mind the cables (Im not a crack-head, I can route even an extreme rats nest of cables into a neat, pleasurable to look at routing). And I prefer the modularity of being able to use the interface and just the laptop for super minimal, add a controller for a little more control and still maintain super minimal status, ad an analogue mixer and all my controllers and have ultimate control with main-stage quality output.
^This is what I find is the best mix, for ME.
A lot of things to think about getting into this for the first time
. Its a fun road, and there are lots of things to learn. Spending the LEAST amount of money for the MOST amount of learning is the name of the game. It leaves you with lots of money for the stuff that is going to be the perfect medium for you as an artist.