I don’t think it’s really the feedback for the tracks but more the audacity to complain about not having instant signings for the mediocrity he’s produced in the extensive 5 months he’s been doing this.
Luckily, as a professional wrangler of adolescents, I am understanding of the grotesque desire for instant gratification and incomprehensible sense of entitlement they all display nowadays. 
You’re only 17 OP, plenty of time to hone your skills
Wow! It’s been a while that I’ve checked this post!..Thanks for the feedback everyone. At some point of time,someone has to speak up for what’s right & wrong. And You’ve Guys done just THAT 
I’m hoping to enhance my sound,and at the same time,keep it classic and ALL ME
I just listened to several of your tracks and I must admit, you are many steps further than I am in that you can even produce music.
I personally find your music to be missing the actual musical parts of songs like an intro/ outro, chorus, verses and bridges. The “story telling” is simply missing in your music. You only have bridges and transistions between different “beats”. In my opinion, a good song has to take the listener to another place and bring them back again, like a journey. While listening to your tracks, I am staying in one place and to be honest, am bored. Sorry, I don’t know how to describe what I feel is missing any better. Sorry I can’t be more constructive.
scamo
Haven’t listened to your tracks but 9 times out 10, if a label doesn’t reply it doesn’t like it.
If they think it’s a bomb they’ll be on to you in time to sign you up.
Do something different, and wait for a label to be into your vibe, or produce something generic better than the pros.
However, if you are that bothered about getting signed, you’re doing it for the wrong reasons
work harder on production skills - music theory / arrangement / mixdown / mastering
focus less on getting signed
dont worry dude, if you are good, you wont have much problems getting signed, until then keep trying, but dont spam the record labels until you are sure your stuff is good, otherwise by the time you do get good when they receive your stuff it goes straight to the bin “oh its this guy again”, bad impression stays for a long time!
the EQ is really all over the place, and there’s a lot of distortion everywhere
did you use proper reference monitors to do the mixdown?
The Mastering Part Is What’s Killing Me At The Moment…I’d rather have someone else master my tracks, I don’t have the FULL knowledge of how mastering is suppose to be done…And just to make sure I don’t look or sound stupid when someone brings the word “mixdown” up again,What exactly do you mean? Do you mean that lil thing us producers do when were done with the track,and we tune the little parts that may be to HIGH or to LOW ?
The More Info The Better Artist Your Making Me
Wait, you’re trying to get signed and you don’t even understand what a mixdown is, AND you’re trying to master your tracks without knowing how to do a mixdown, and you don’t even know how to master?
Get back to basics. Focus on writing music. Keep it simple, less is more. Focus on using less FX at the moments. Work on EQing stuff, balancing the levels and just making the best sounding mix you can. Once you get the fundamentals down then you can start experimenting with FX, developing builds, drops and breaks while still keeping it sounding clean.
Have to crawl before you can walk, much less run.
As an exercise, try writing a tune using only 8 tracks. 4 for your drums, 1 for you bass, and 3 for whatever else (samples, synths, vox and son on). And then only have 4 returns set up, 1 short verb, 1 long verb, 1 3/8 delay and 1 1/4 delay.
Just because you have all these options at your fingertips doesn’t mean you should use them. Sometimes you can get far more from using less.
Anyone with a computer and internet can make a tune..
some people spend years until they are signed.. some just a matter of months..
some never get signed..
..and some couldn’t care less about getting signed and make music because its fun.. and let the music do the talking.. if its good people will promote for you!
no need to push tunes!
that’s just my opinion.. probably because I produce for fun and not to get signed!
Words of advice.. just keep doing what you love!
Hey guys ahh looking for some constructive criticism and advice.
https://soundcloud.com/rhysowen-1
You think i’m good enough?
Keep working at it…but I agree…your production isn’t up to par with the elite in the game.
It’s a learning process and take that right back to the studio and work on those muddy mix downs people were talking about…get that sidechain compression in on those kicks…get better lead synths and bass synths to fill out.
Just keep doing your thing…
You talking about me? Those weren’t talking about me?
Holy fuck why DIdnt you start a new thread man instead of resurrecting an old one lol
Shit man don’t know how this shit works
Most definitely continue producing.. Your songs are lacking fullness and a solid groove. Try filling out your songs with more synths and background drums etc.
Yeah I agree with you more detail, but those are my first and second songs. Do you think I show some talent? How long does it take you to make the average track?
https://soundcloud.com/computersandblues
Not wanting to take advantage of people giving legit opinions… well maybe I am 
I’ve also being producing five month (since july), always trying to improve but what do people think my chances of getting signed at the moment are?
How do you get so many followers man?
he posts is links on other peoples songs without listening to their song
jokesjokesjokes