[quote=“TreTuna, post:7, topic:41868, username:TreTuna”]
[Maschine requires] a computer but you can do everything from the controller and never have to look over once you get used to it
[/quote]That’s not entirely correct. I’ve owned one for a while (~ a year) and use it almost every day…and there are still a handful of things that are either faster on the computer or not possible with just the hardware. For a lot of things, though, yeah…the hardware is awesome.
The things I have to do with a mouse don’t bother me much with Maschine, and I’m about to start buying hardware synths because I hate software so much…so that is saying something.
[quote=“TreTuna, post:7, topic:41868, username:TreTuna”]
A lot easier to take with you then an MPC
[/quote]I’m not convinced. You still need a laptop. The MPC500 runs off batteries and is smaller…so technically it’s easier to carry. But I see where you’re going. It is certainly a lot easier to record off Maschine than an MPC because it gives you more outs (if you actually want to record) or lets you bounce stems.
That might be worth doing…but they won’t be available used, and the MPC Renaissance costs twice what Maschine does (new).
I really love my Maschine, and if you want to get into that workflow, it’s very hard to beat at the moment. There’s almost no doubt in my mind the MPC Renaissance will be better…but it’s also a lot more expensive. MPC Studio vs. Maschine……that one will be a lot closer. Based on the hardware, I think maschine wins over the MPC Studio. But we’ll see how they work in practice. I’m very open to the idea of upgrading to a Renaissance.
Now…all that being said, I’ve also seriously considered buying an MPC1000. First, the not-upgradable thing is crap. There are aftermarket OSes for it (JJ OS, for example) that are still being developed. Second, there’s something cool about hardware and not staring at a computer screen. Third, if you have a good MIDI interface, you can still use soft synths with it. And considering that none of them really offer enough power in the mixing stage to completely finish a track, you’re going to need a DAW anyway (or some other recorder) which means that you’ll probably have a chance to host soft synths (if that’s where you want to go).
The biggest shortcoming of the MPC-1000, as far as I can see, is the tremendous lack of knobs. The MPC5000 is the only one that competes with Maschine in that regard, though without controlling synths from it, you could probably get away with what the MPC1000 offers.