Track selection, I’ve seen someone with an iPod make the place jump with no mixing, by playing what that crowd likes. I could pull off a technically great set of neurofunk on three decks and fall flat to that crowd. But drop drum and bass remixes of top 40 dance and rap and they would probably respond well enough to take some other stuff mixed in. When I make a mixtape I assume people that listen to it already enjoy that style and I feel free to dig into more obscure tunes and play tracks that they don’t know they love.
Beat matching is important, phrasing equally so and eq the least important. But knowing your crowd and track selection is the key dj skills.
I agree with track selection being the most important skill, but there’s no way you’ll learn that without playing in front of a crowd. With the introduction of sync though I think proper phrasing has surpassed beat matching as a required skill.
by listening to the music and listen for changes in the track. Listen to other good dj’s mixes, listen for where they start a mix. Listen Listen listen and you will start to get a feel for the phrases and the more mixing you do, hopefully, you will become instinctive about when and where to start the next track.
Having fun.
Yeah I play around with a lot of Full on and Progressive. I will check out your mixes, seems like were into the same type of music 
Here is my soundcloud. My transitions aren’t that good as I want them to be.
I will continue to listen to other mixes and teach myself phrasing. All the local dj’s I use to watch are now doing big things. Signed to labels do shows over seas its awesome but I dont think they have time for a beginner like me. Thanks for the phrasing link, i will check that out now.
Edit: ahh yes the 8 /16 /32 counts I should know these rather then staring at my computer screen.
On some level, I do. I take the time to really pour over my music and ask myself, “what does this song sound like, and what other kinds of beats would mix well with it?”
@OP: You really need to know your music. Take some time every day (or every other day) to just sit down and really listen to your music.
So how do you practice track selection at home?
by practicing on ya set-up (a lot) and listening to ya tracks (a lot) then the best way, recording mixes and listening back to em (a lot).
Making and listening back to mixes regularly you will get better, when ya jamming and just having a practice you can throw anything in to test ya mixing skills etc but when u record a mix u wanna think about it, think about a journey through ya tracks etc. Then when you listen back u may from time to time, think. oh that sounded good at the time but now i can see it maybe takes the groove down a little or it was maybe a too bigger jump in energy i should have played that later things like that. The most valubale thing a dj who wants to improve can do IMHO is make a lot of mixes and listen to em, like i said earlier, listen listen listen
Excellent advice.
If anyone wants to listen to some my mixes & tell me how shit I am haha, feel free - www.mixcrate.com/ad357
Totally agree with that. Especially recording everything and giving it a serious listen. After I was past the initial learning curve of DJing nothing improved my mixes more than recording myself all the time and really disecting what works and what doesn’t, with eqing, with phrasing and with track selection. If you’ve got a steady gig playing out, you should still be recording yourself often. It definitely helps.
Exactly why Track Selection is a mute point. It’s irrelevant to actually becoming a technically good DJ.
shouldn’t a good DJ be good at all of it? There isn’t one thing that is vastly more important than the others.
Once you learn how to beatmatch and mix music it then becomes about track selection. You can’t have one or two without the others.
You practice track selection when you buy your music.
But it is relevant to, technically, being a good DJ.
And BTW it’s moot point, not a mute point. If it was a mute point you wouldn’t have said anything.
Not everything needs to involve physical co-ordination to be a skill that you can improve on. You gain skill by studying other peoples mixes and your own music to find what fits to create a good mix, then when its your turn to play or record a mix you make the right ‘selections’ based on that knowledge.
Think about it like this.. If a Guitar player learns all the physical tricks on how to be a flashy guitarist without studying any music theory or without any artistic understanding of what sounds good it will be bad or at least could be allot better with some study.
The same with being a DJ, if you don’t take the time to know your music inside and out and know what creates a good mix for your audience it doesn’t matter how well you can eq or beat match, scratch or use effects you will suck.
My 2 cents in order …
1. Reading a Crowd
Feel whats happening in a room and respond accordingly based on #2
2. Track knowledge and selection
Know how to pick good music, and how to work your set up down and sideways to enable you to do #1 effectively.
3. Mixing Ability / Phrasing
Although if you have #1 & #2 down brilliantly you may pull it off assuming you don’t completely fuck up with train wrecks.
4. Technical Knowledge
Know how to find your way around an “Analogue” club system, know your way around a real DJ mixer, and know how to level up your tracks using manual gain controls.
If your laptop fails for any reason you will be expected to play on regardless and at the same level of awesomeness.
Be able to the above with minimal tutoring from the resident DJ/sound tech/ lighting jock. All they should need to tell you are “this fader is deck A this is deck B, heres your master and here’s your monitor”.
5. Learn how to correctly jesus pose at the appropriate time
Final Words
I’ve seen a zillion more DJ’s rock a crowd harder on just 2 decks and a basic mixer than I have ever seen any Traktor DJ with a zillion effects / samples / midi controller.
Watching a DJ watching his laptop screen all night is no fun for anyone IMHO and I know personally the best gigs I’ve played were the ones where the laptop stayed in its bag and I played off USB sticks, CD’s or Vinyl - Less “Muck” to get in the way of better track selection and interaction with the crowd.
Just because you can - doesn’t mean you should and IMHO every DJ coming up the ranks should strive to be able to rock it on a basic 2 channel deck system and mixer.
you could be the best technical dj in the world, beatmatch perfect in one bar, a whizz with effects and mixing, if you can’t pick tracks to put a mix together and throw in any song in any order cause your so good at mixing u can throw anything in when u want you probably wont sound good, your sets will be all over the place or all the same sound and boring.
I’d like to add if the crowed are watching the DJ all night you’r doing something wrong 
prople should be dancing and not watching the DJ.
But I agree with everything you said
Very good read here. You nailed all the important parts and it makes sense. I’m in the market for a new mixer. I want a 2 channel mixer. I was debating the z2 by native instruments but knowing how much of a beginner i am. I’m not sure if i should drop the 900 bucks on that guy. I really like the feel of native instrument products. My previous mixer was the s2 and it felt a bit cheaply made. I want something more sturdy like pioneer products. I’m leaning more towards the z2 since it’s built and functions seem like the right direction for me. But the price is a bit steep thats my only concern at the moment. But i agree i want too learn on a 2 channel mixer and less computer staring. So far i have traktor pro 2 software and i have enabled a function that shows the bars / counts. ( i forgot the name of the function ) but without that i would be completely lost in a song. I wish i knew more dj’s in my area that would be down to hangout and learn off each other.