BTW, that advice comes from having gotten an unpaid internship in the spring at one of the biggest studios in Atlanta, though because of the rest of the story, I won’t say which one.
I consider it a valuable experience. I learned a lot; I met some interesting people; I got to play with SSL (Solid State Logic, not Serato Scratch Live) boards worth hundreds of thousands of dollars and outboard gear most people here would dream about with a total value in the millions. I learned how painstaking it is to set up to record a drum kit and how finicky some vocalists are.
And I heard some pretty cool music, some of which hasn’t been released yet.
But the vast majority of what I did was vacuuming, cleaning bathrooms, food runs, watering plants, organizing cables, and trying to look busy so that maybe someone would reward my hard work. One of the engineers did, and I got to sit in on some sessions and help out a little bit so long as everything I did was with a mind to making sure artists didn’t know I existed and as long as I wasn’t on the clock when it happened……even more time away from making money.
It was also a 30-minute commute, unpaid, and stressful. And, honestly, I have no idea why I was “fired”. Most people seemed happy with me, then all of a sudden I wasn’t on the schedule, my user wasn’t on the scheduling system, and they wouldn’t even let me into the storage room to pick up my man purse, a pack of cigarettes, and my french press. And no one would talk to me. Apparently that’s kind of standard practice for that studio when they decide to get rid of interns. As far as I can tell, the worst thing I did was ask for a day off a week and a half in advance because of a prior commitment when none of the interns I had contact info for could cover for me.
A lot of it was probably because I started at the same time as a few other people who worked just as hard as I did but had degrees from SAE. Which is sad. From the engineers that have several platinum albums under their belts in several genres, the only thing that studio really offers is really good rooms and engineers that can teach noobs that nothing they learned in school matters as long as they understand signal flow and know what all the knobs on EQs, preamps, compressors, etc. do, which you can learn by playing with free software and reading a lot.
If you want a job in the industry, school can give you a leg up. But make sure you can afford it. If you want to be a musician, learn it yourself and focus on your art. Worst case, you can work with someone (like me or a dozen other people on DJTT, DJF, ALDJF, and elsewhere) who might know the tools better than you do and probably have more experience with mixdowns/mastering and maybe have a better sounding room to listen to stuff in……but maybe aren’t as great at actually writing songs.