Whats the main difference between monitor systems and PA systems?

Whats the main difference between monitor systems and PA systems?

I hear lots of talk about small monitors such as those made by krk and pioneer as well as the small 8 to 12 inch subs that you can couple them with. I was looking at a 10 in krk sub and saw that it cost around $400. My question is, for that kind of price, what is the advantage to these smaller monitors when you could get a full size PA system such as a behringer b215 and a b1500d subwoofer for a similar price

summary for those who hate to read:

VS

and why?

Monitors are designed to have a flat frequency response. PA speakers are designed to be loud.

This.

Neither will be particularly enjoyable for listening to music at home. Hifi speakers and an amplifier all day long.

Simple answer: For home use: if you’re a producer, get monitors, if you’re a DJ, get hifi speakers.

PA speakers should only ever be used when performing for large groups of people. Note: this does NOT include house parties. For house parties, you want an amp in the living room with some floorstanders, and a micro/mini-hifi with line-in in the kitchen. Total set-up cost: < £100.

I thought that home use was what monitors were intended for… You’d want to use PA speakers for gigs so then what would be the purpose of monitors?

Monitors have flat response for accuracy when producing and mastering music.

Exactly. I edited my post above while you guys were posting :slight_smile:

can you give me an example of a typical hifi system you would use for a house party then?

How many people do you expect to have in your house parties?

Depending on the size of your place, a decent stereo amp (Sony, Yamaha, Pioneer, Denon, Marantz, etc) from the late 80s-late 90s offering up around 2x100W into 6/8 ohms, and a pair of Mordaunt Short, Mission, Wharfedale, Celestion or Tannoy speakers of equivalent rating will be perfect unless your place is literally MASSIVE.

Even if you’re young and are having a “Skins”-type party where there’s like 150 people in a 4 bedroom house, then they’ll probably enjoy it more than a night at a local club lol. One thing I WILL say, however, is unless you’ve got a pair of “proper” floorstanders (at least 4ft tall), it’s worth raising them somehow; either using speaker stands or some sort of table. Keeping them close to the wall will help boost the lower frequencies, although a decent pair of hifi speakers (with 6-8" drivers) should push down into sub territory anyway, especially at higher volumes.

Most stereo amplifiers have some sort of auxiliary out, usually “Tape Rec” or “MD Rec”, which you can use to pipe your master signal into other rooms, which - as I said earlier - can be served using something smaller like a micro/mini hi-fi; the sort you can usually find in charity shops and car boot sales for £5. They won’t give you a particularly wide frequency response, but as anyone who listened to music as a kid knows (from their parents constantly complaining about how all they can hear is “duff duff”), bass travels through a house like crazy.

One legitimate use for PA speakers would be for the garden; nothing to stop you from getting a single cheap 12" active PA speaker (like the QTX ones) just for outside. You can then turn it down/off separately when it gets late so the neighbours don’t come knocking at your door with a hammer.

EDIT: Also, buy second hand wherever you can. You’ll save yourself a SHITLOAD, and unlike some types of technology, just because an amplifier was made 20 years ago doesn’t mean it’s crap or even worse than more modern gear. Class D amplifiers have been around since the 60s, and most decent quality amps are class AB anyway. Pretty much the only difference between an amp from the 80s and a modern one is that older gear is MUCH easier to repair/service. Instead of little microprocessors and surface mount components all crammed onto a single PCB, they generally use a more modular design with through-the-hole components and nice big solder terminals. In the unlikely event something goes wrong, it’s a cinch to fix; these days, manufacturers just expect you to buy a new one.

I’m surprised that nobody mentioned Behringer is a low quality brand compared to KRK.

Rokits are very low end monitors too.

Apples and oranges. The recent Behringer PAs are actually pretty good. We’ve got one in the booth at my midweek residency, and it’s WAY better than the older series Behringer PAs that we’ve got out on the floor.

The new Behringer range is very good. The Eurolive series and above.

I’m actually looking around for some 15" fullrange speakers, but the new Eurolive reviews seem a little worrying.

Don’t know what reviews you’ve been reading. Before i bought mine i researched them thoroughly and a vast majority of reviews were positive. I’ve borrowed mine out to other Dj’s and events here and they also said they were surprised by how good they are.

I’m still skeptical. “Recently” being good is still worrisome to me.

Basically, anything with the yellow triangle logo on the front is decent. The older ones had a silver triangle, and weren’t as good, and the even older ones are piss-poor.

The Behringer Truth monitors have had pretty favorable reviews and they’ve been out for a while.

Only good reviews I’ve read of those is regarding the price… They’re about on par with the KRKs… Cheap/good value lower end monitors…

Ceck out the QSC K8s, I’m using them in my lounge room and they sound great