Ed. Produce music, ex. compose sorry forgot to add music to the title
I know everyone has their own methods but does anyone have any links/tips to general production stuff (and if more specific then perhaps w/ ableton or something similar)? I really want to start making music as well as playing it.
Ed.2 Essentially is there a DJTT for production lol?
What kind of music would you like to produce? Who are your influence?
A good starting point is to learn how to copy your DJ idol. Try to make his top 10 musics and learn how to do it in every details.
I never produced anything, but when i start I will try to copy some Psytrance DJs I like most…
That’s a horrible idea . Not to mention most “idol” djs can’t produce to save their lives and usually end up buying tracks from producers they like and end up stamping their names on the tracks they buy . Since you have a macbook start with Garage band and then check out some youtube tutorials
I like so much, right now I would like to maybe produce something like electro or something that is minimal/tech house, or even drum & bass. I understand these aren’t really similar at all, but these are the ones that interest me the most. I have ableton, and also have garageband, should I start with garageband just to avoid being distracted initially by all the bells and whistles in ableton?
so get the main beat of some music that you really enjoy listen over and over again and try to reproduce that in any production software around. Then try to add some bassline and the rest of stuff…
There are a lot of good videos at you tube, just put your software and your style as keywords and you will find plenty of these…
He wants to LEARN how to produce something with software, I never said to him to copy, stamp his name and sell it again
I mentioned an “idol” DJ because of the repeating process of learning how to produce. To produce something you will probably repleat like a thousand of times the same beats and melody, it would be a pain to learn with some music that you don’t like, or don’t sounds good..
Yes that’s a great way of gettin started . It’s definitely has a less intimidating interface than ableton . Getting the basics I’d recommend picking up one or all of the NI synths and watch some tutorials on youtube on progaming the sounds you like I know for a fact there’s a tone for creating minimal and drum and bass . After a few months you can look into rewiring ableton into garage band and start easing yourself into the ableton environment. Or you can just jump head first into ableton .
I lived on that site for months a few years ago. I still can’t wrap my head around it.
But he’s got one great desciption of MIDI, and debunks a lot of myths.
And the forums are frequented by some pretty big names (as it’s explained to me) in the mastering and engineering fields. Not much for DJing, but still, it’s an amazing site.
ProTools is the most widely accepted production software. You can basically take your project to any studio and use it universally…although it takes a bit of time to familiarize yourself with the program as it is quite deep. But, if you want to get great sound, it’s a nice option. Their Mbox line is nice and offers a few different price/gear options.
While I agree with BodegaBrad that ProTools is widely accepted, I would hedge my bets against the MBox line.
I am, personally, against any software that requires you to use one line of hardware. I think the only way ProTools can really shine is if you have the hundreds of K to get the full rig that they have.
But it’s another situation you have to just try em out and see what works for you. There are tons of DAW suites that will suit you fine.
I think the most important thing would be to choose the program based on what you like the best. Justice claimed that they used Garageband to make their tracks. Mastering can be left for studios. Most important is to turn your ideas into tracks in the first place, with humming into your cell phone’s recorder if you need to.
Yeah find a program with a workflow that you like thats the most imporant thing - even if all its inbuilt fx are crap you can allways load up a ton of nice VST’s to make up for that. Spend some time trying out some different demos and check out youtube clips of how to use the different programs until you find one that jives with you.
Very true…I only listed it as an option. I have had my problems with it, but am using it more and more and have been able to take from home to the radio station with ease. ProTools “M-Powered” allows for non digidesign gear to be used too.
I agree that it doesn’t matter what you use, as long as you’re comfortable with it. Me…I’d rather use Adobe Audition(believe PC only) all day, for ease of use, but ProTools sounds better overall. Garageband is nice too.
I do believe that copying your favorite songs is a nice way to learn and give your first steps on producing electronic music. Its about the learning curve that you have to surpass in order to start being able to get your ideas on the computer. Of course there are other methods, but this one is pretty cool and you have fun when youre learning… C’mon, you all know how frustating it is when you have the song in you head and then you cant put that on the computer just because you cant use the software properly.
The same thing with a kid that just got a new guitar. Hes going to play some well known songs that he likes in order to learn how to play, and afterwards maybe hes gonna create his own songs.
At the moment Im using the Energy XT2.5, and even if its now one of the topnotch apps, its still ok and enough for sequencing. By the way, i love the interface. I recentelly bought a vintage drum machine (TR-707) and Im really having fun with this wonderfull piece of kit. Ok, its not a TR808 or a T909, but it costs 6 times less… Now Im saving some money for some synths (Mopho, SH-201) and some effects pedals.
If you are like me and have no previous background training in music and need a
tool that would help while you are learning music theory (Chords, Scales) http://www.looknohands.com has a wonderful app.
While I was in Chapters Indigo I picked up a cheap book The Remixer’s Bible and have found it to be a great tool as well. Its not a guide on the A to B process to production. Rather the author writes about his experiences, trials, failures, solutions, tricks, and techniques. I find myself using it as a reference when I become stuck to help be pointed in the right direction.
I had always thought I had a pretty good idea on the Compressor. However after reading this article helped me to understand the functions much clearer.
Dogs on Acid Compressor 101 : The Basics
After I read the Compression 101 : Basics I wanted to find some more tricks I could do with the device rather just shape the sound. I found this tutorial on New York Compression/Parallel Compression by Mutant Audio
NY/Parallel Compression
and a second article covering the same subject
NY/Paralell Compression
Primeloops.com have some videos, PDF files on Ableton / Fl.Studio / and Reason using an array of techniques.
As well a great place to find information on or be pointed in the right direction for the questions you may have and meet of aspiring producers are the forums from the software vendor(s) you choose.
also, read up on some music theory if you aren’t versed in it already.
i really don’t intend to sound mean, but just because you can mix in key does not mean you can create good music. i believe music comes from inside you, and some people don’t have that. some people are meant to make music, some meant to warp it. but alas, everything can be learned (almost). learn about harmony, melody, keys, flats, sharps, etc. producing good music that doesn’t sound like every other electronic 3 chord progression is a real talent, and def an art.
one more thing, DON’T BE AFRAID TO BE CREATIVE. get out of that damn box and don’t sound like everyone else. that’s the key to standing apart from all the other self-styled producers. if music comes to you, put it to paper. you can’t force it, though.