Hi, I have been DJing for only about 7 months and I wish to take myself to a new EDM level. The thing is, I don’t know any basics of producing, and I wish to learn all the way to the level that it will only take my skills or preferences to create music. So I would have to learn all the basics and every aspects I need.
For the producers, did you learn by courses, your buds, or did you actually learn alone? I think it’s pretty much impossible. Nobody would give you some expert lessons for for free on youtube or blog. So I am thinking about taking one (I know it’s so pricey though). I live in SoCal, are there any DJs and producer communities or a reliable course? I mainly DJ the House (Electro, Deep house, others) and also Trance. I just wanna be a decent producer. The only thing I got now is the FL Studio Demo. I wish to upgrade everything including hardwares once I get into it.
Think it depends on what your time’s worth and if you have the money sitting around to spend on that kind of course.
There are plenty of excellent videos that help with production, (even pro level - check out Pensado’s Place on youtube for mixing tips once you have the basics down - maybe Pensando? Can’t remember) but there are also a number of different aspects of production, which can make it overwhelming at first: sound design, effects, mixing, arrangement, etc. So, can you learn all these things without those courses? Yes, but it takes a good chunk of time. Can this “crash course” get you ahead of the curve? Yes, but is it worth it? And no matter which course of action you take, mixing and developing a critical ear just take time and practice. No course can teach you those things.
Music theory is something that you will need to understand, to some depth, at some point.
“Learning to navigate some DAW software” is to “producing” as “setting up the page margins and picking a font size” is to “writing.” That does not mean that learning the tools you have chosen is optional, only that learning to use a DAW is NOT the same as “producing.”
I learn with deadlines. Formal courses provide deadlines. Coursera has some well above average classes on music theory, music composition, and even some DAW specific topics. I also like to have a “live person” who can answer questions. That also points in the direction of “classroom” learning as opposed to “self paced” study.
That is me. You will likely have your own learning style. Seek out the methods of learning that favor how you have learned in the past.
Ditto. The only reason to go to school for audio production IMVHO is to make contacts in the industry, all the information you need is freely available if you don’t mind putting in the time to find and learn it.
There’s no substitute for being around those who make good music, and watching them work and picking it up that way. I’ve always viewed production courses, etc as a bit like painting by numbers. There’s no right and wrong. No doubt any lesson there is there must be a freebie online.
I think one of the most important aspects of production is arrangement. Some of the greats, like Quincy Jones, were fantastic arrangers.
I’d prefer to take free online courses if that would be enough, it’s obvious. Then I can invest more on hardwares though. I can’t find any free classes on coursera though, any help? I need the basics to learn until I have the required skill to create on my own, until what it takes is my creativity. I wish to meet fellow producers though, like a community I guess? Any suggestions?
Im the exact same way. Not only do deadlines help me, but My ADD kicks in whenever Im midway through learning something and im off starting something new. I need a real live person making me do each step from start to finish or else I learn really slow.
Just like some people can take online classes really well and some people need to be in a physical class. Its all about how you learn best.
kijiji, craigslist… back when i lived in Ottawa i was teaching Ableton on the side, you might find a decent teacher . On a side note it turns out i was the only one teaching Ableton in that city at the time lol
PC/Mac (I’d get an 2011+ i7 with 4+GB RAM, but if you already have something try that first) Headphones (I got Beyerdynamics DT 770’s. If you want super cheap ones get Superlux HD 668Bs) MIDI keyboard (No need to put a lot of money into this unless you are a piano player and want weighted keys so that you won’t need to correct velocity every time) Audio Interface (Depends on your needed inputs/outputs. For 2 I/O’s the Steinberg UR22 is great for it’s price and apart from it not beeing red there is nothing the focusrite 2i2 can do, which this one can’t do better.) Monitors (Yamaha HS 05’s are great. KRK Rokit’s are the most sold and people argue if that’s justified or not. I’d get the Yamaha’s, but I have Rokits) Room treatment (Ask an expert here. Or invest some weeks to understand it fully. Don’t just put some foam on your walls) Controllers and Analog gear (Those are toys and if you have the above you will not have to have those unles you want to perform live. I started with an Ableton Push, because I wanted the “hands-on-experience” instead of just using the software. The more I learned about Live, the quicker I became when using the mouse. This resulted in the Push just beeing some nice flashing lights and a creative toy every now and than. Definitly not needed. This does not mean they can’t be fun though!!! )
. On a side note it turns out i was the only one teaching Ableton in that city at the time lol