I noticed the topic of decible levels really doesn’t get talked about very often, and when it does nobody seems to mention how they are to be maintained in a gig. I am talking specifically sound levels being played let’s say at a small gig and club. Sure you can look at the -10 or +2 or whatever is being shown in traktor or a mixer, but from what I can tell that doesn’t represent the actual sound level being played (ex. most clubs are roughly at 95-100 dB or so? over 90 is can be damaging etc., those numbers). Somebody please prove me wrong here if i am so.
Anyway, I have never read a thread about DJs using decible meters and I don’t see why DJs shouldn’t. They would give an accurate representation of the sound level which would not only allow you to keep the sound level at a safe level or whatever exact level you want it at, but it will also make sure that the DJ isn’t changing the overall levels much. I can see this being less useful in a club where there may be a sound guy helping out during a gig, but for let’s say a house party or whatever I think something like this would be crucial.
Anyway, does anybody here use a dB reader? I am looking for one and wondering what might be good (also wondering how much I will be investing here).
i dont personally but some of the raves i used to promote for back in the day had some sort of decibel meters hooked in with the power/master volume… so if the volume got pushed too hard for more than about a minute in one room - it would cut the power to the P.A’s in all the rooms.
it wasn’t to protect the dj’s and patrons ears tho - it was for complying to the sound restrictions that were posed by the local councils and liquor licensing.
I have one. Radio Shack digital SPL meter. They also make an analog one that’s great too. It’s used at my place of work to calibrate mix stages. I use it for my home theater and occasionally bring it to campouts and undergrounds but unless I’m one of the guys setting up the soundsystem I usually don’t bring it unless I’m asked.
Yeah I checked that one out actually, how accurate is that thing? Can you leave it on and it will go up and down naturally or do you always have to restart it to get a reading? I might end up getting one of those actually, fairly inexpensive.
Liquor licensing in many states in Australia also regulates the allowable SPL limits - if an inspector rocks up and whips out the meter and you are exceeding the level you are licensed for (internal 110db SPL-C for many venues) then you can be fined or lose your licence.
In some venues that have installed audio systems, they have a system that monitors the level (with calibrated microphones) and winds back the amps if need be, and in some cases they have a “red light-green light” system where if the green light is lit, you are at the very threshold, if the red light starts to flicker you are too loud. If the red light stays continuously illuminated for 3 seconds then it cuts the power to the amps.
When we do gigs where we bring in our own PA to a licensed venue, we either bring our own meter or the house manager often has one.
I think the reasons for using them in our case is to keep the licensing folks happy, but i think that as the DJ you have a responsibility to not push it too hard anyways as a duty to the punters - if you kill their ears they can’t come back to hear you again.
@rt24,
It’s very accurate. I work at Skywalker Sound and we use them to check the SPL of our mix stages. Yes it does constantly re read the SPL, no restarting necessary. In the film world, we play pink noise=0dbu@-20dbfs through each speaker and it should read 85 SPL. So our peak levels are 105 SPL. Peak being the loudest signal you can play though the system without distorting or clipping. Now if you’ve been in a movie theater that’s properly calibrated you will know just how loud 105db SPL is.
Remember also that even tho the vu meters on the mixer don’t give actual output (its only one part in the gain chain), that you CAN still use them to hold levels at a particular point, even if you dont know what that point is.
I don’t have a db meter, but sound check before every gig by ear. I then know where on the mixer I can push it, and have a ‘datum’ from which I can set my levels.
Yeah it’s a pretty great gig, I’ve been there for 13 years or so. Worked on some great projects and with some really talented people over the years. Djing is a hobby but one I really love and enjoy.
If you ever find yourself in the San Francisco area let me know. While I can’t get you a job, I can get you a tour of the place. Anybody with 3000 posts should get something, right?
@Bartboy,
Are you talking about a rackmount RTA(real time analyzer)? If so, Klark teknik makes a decent rack mount one. I’m sure there’s quite a few good ones out there. I’d bet you could even find a digital stereo EQ with real time audio analysis and set up your monitoring system with a “flat” response. <— A recommended set up for people producing and certainly useful for Djing as well.
Thank you SirReal I had been looking for a EQ for my new setup and I had no idea that some came with an RTA I didn’t know what an RTA is honestly. The only one I seem to find with ease is this Behringer Ultracurve Pro DEQ2496 Equalizer? Do you know of any others that is in that price range give or take a little. I am going to get a rackmount EQ I would like for it to have some kind of decible meter on it. I have just picked up a copy of Logic Express and am diving head first into the production side of DJing and need to save as much money as I can. I don’t want to go with cheap stuff thou and have to upgrade it. So any durable gear that has both that you can recommend? Thanks.