DJ Shiftee showing us we aint about that life with the Z2 n Maschine

There is no way that you can do what Shiftee just did and have it sound like it was produced.
Its just not gonna happen…its LIVE.

However, this is what Beardyman is trying to do with his Beardytron 5000.
Whatever you toss into it, it magically makes it sound good on the output.

This is the same technique Mad Zach uses in Ableton, for his jam sessions.
You can jam…but still sound good doing it.

Now Shiftee ‘could’ REALLY go and get all technical like the above mentioned… and route through Abelton etc.
But that is not what Shiftee is about. He is showing off the abilities of the Z2 and the NI suite I guess.

He is a scratch DJ first and then controllerist. He is not gonna be doing what he did in the video, to a crowd that is wanting to dance. I cant see Shiftee keeping that pace up for an hour solid.

Its a routine…not a Live version of a track…not a cover…just a routine.

However, I will say…that the music produced by Shiftee…is not in my taste range.
Its a bit too ecclectic and hiphop-ish for me.

But I still LOVE his style and will watch everything he puts out on the net…for sure.

It may be based around a shit remix of an even shitter Kanye West tune, but hip-hop it ain’t. Trap may be the thing that all the kiddies are jumping on at the moment, even though it’s been around for years, but the way he’s manipulating it in that video isn’t hip-hop at all. The bit that starts at 1:49 is flipping it more into D&B territory, for example. Either way, it sounds like the sort of shit that the “here’s my 15 minute ‘mix’ of 3 songs filled with overused effects and knob twiddling” Traktor demographic would eat up and therefore it’s perfect as a product demo video.

Interview with Shiftee about routine FYI…

So good…so young!

I saw a vid of her playing at some club…she was 12 or 13.

Also saw a practice scratch vid of hers and she rips it up…and at the end…gives a real nervous little girl laugh.
It really showed that she is just a kid…that has been doing this a LONG TIME!

Wonder if she will still love it after her teens… You know how girls are…

DJ Sara is the best female scratch DJ I’ve ever seen and she’s still just a kid! I’ve been scratching for about as long as she’s been alive and she’d whoop my ass in a scratch battle. lol. Hopefully she keeps going and continues to improve, because if that happens she’ll be incredible by the time she’s 18. Her brother is no slouch on the cut either. I wonder if their dad is a well known DJ.

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I use his maping because it is super dope check it out here

+1 definitely hahaha!

hmmm remix deck control with maschine, guess i’ll be holding off that F1 purchase for a bit to see what happens

Nobody mentioned the sick video editing yet. I love the eye candy in these videos too. Cool little floating icons and camera work. It’s great great stuff.

Also, I have something to say to the people who don’t like the music or the routine. You’re entitled to your opinion and I respect it.

I would like to know if I got the new Z2 and new Maschine could i run traktor 2.6 along with my remix decks without a control medium to cue all my tracks? I think I might just be best to keep my S4 in this use. Though, my S4 is starting to have connectivity issues due to the volume faders are worn out due to use and travel.

You sir - are winning :slight_smile:

Oi! You are only allowed on the internet to upload scratch videos. Back to work!

Aand there I got infected by the scratching bug again… Brb, practicing.

Yes

Anyone else notice he has a maschine mk2 on top of his old machine? (FIRSTTTTTT!!!)

I did but on the fb chatroom (i’m hipper than you)

So, did anyone else notice how the hot cue buttons on the Z2 reacted in the same way when he used the machine? Not sure if that means anything with a linked mapping.

Either way they won’t open the remix decks up (if they do at all) for maschine MK1 anyway. Its not NIs modus operandi.

I’m happy to be proved wrong though.

I’m eager to know WHEN you will be proved right/wrong…

Actually I see nothing in the video that couldn’t be done now.